José José

José José is a Mexican singer. Referred in the entertainment world as “El Príncipe de la Canción”, José José is best known for his romantic ballads and renowned for his gifted vocals. He is regarded as one of the most talented singers of Latin American popular music, recognizable by his pure vocal tone and his ability to sustain high and low notes. In a career that has spanned over forty years, his performance and distinctive vocal style have influenced several Latin pop artists.

Born into a family of musicians, José José started his musical career in his early teens playing guitar and singing in serenades. He later joined a jazz and bossa nova trio where he sang and played the bass and double bass. José became a successful solo artist in the early 1970s. Demonstrating his vocal ability with a masterful performance of the song “El Triste” in a Latin music festival in 1970, he climbed the most important Latin charts during the decade. In the 1980s, after signing with Ariola Records, José José gained international fame for being one of the most talented and successful singers of Latin America. His 1983 album Secretos is one of the best sellers in the history of Mexican music, it has sold over 11 million copies around the world. With a series of huge hits, he received several nominations to the Grammy and numerous recognitions worldwide. He sold out in venues such as the Madison Square Garden and the Radio City Music Hall. His music reached non Spanish-speaking countries like Japan, Israel and Russia. During the 1990s, after several hits, his career began to decline as his voice started to falter due to his alcoholism and health issues. José has also forged a career as an actor, starring in movies like Gavilán o Paloma and Perdóname Todo.

Due to his wide-range vocals, his career in Latin music and the high popularity he achieved, he is considered by the media, the press and the people as one of the most important Latin singers from the 1970s to the 1990s.

José Rómulo Sosa Ortiz was born on February 17, 1948 in Azcapotzalco, Mexico City. He was raised into a Roman Catholic family of gifted musicians; his father, José Sosa Esquivel, was an operatic tenor and his mother, Margarita Ortiz, was a classical pianist. They never achieved relative large success, and when José began to show interest in singing, they tried to discourage him, claiming that it was too difficult to achieve success in show business.

Jose Iturbi

José Iturbi was a Spanish conductor, harpsichordist and pianist. He appeared in several Hollywood films of the 1940s, notably playing himself in the 1943 musical, Thousands Cheer and in the 1945 film, Anchors Aweigh. He was involved in a complex family custody battle in the 1940s that culminated in his former son-in-law kidnapping Iturbi’s two granddaughters.

Born in Valencia, Spain, of Basque descent, Iturbi studied in Barcelona and at the Valencia and Paris conservatories on scholarship; at this time, he also undertook extensive private studies in keyboard technique and interpretation with the harpsichordist Wanda Landowska. His worldwide concert tours, beginning around 1912, were brilliantly successful. He excelled as an interpreter of French as well as Spanish music. He made his American debut in New York City in 1929. He made his first appearance as a conductor in Mexico City in 1933 when presented by donon Ernesto de Quesada from Conciertos Daniel. He was also conductor of the Rochester Philharmonic Orchestra in upstate New York from 1936 to 1944. He also led the Valencia Symphony Orchestra for many years. He often appeared in concert with his sister, Amparo Iturbi, who was also a renowned pianist.

Iturbi was a noted harpsichordist, and made several short length instructional films utilizing the re-emergent early 20th C. French Pleyel et Cie pedal, metal-framed harpsichord made famous by Wanda Landowska. He appeared as an actor-performer in several filmed musicals of the 1940s, beginning with 1943’s Thousands Cheer for MGM. He usually appeared as himself in these films. He later was featured in MGM’s Anchors Aweigh, which starred Gene Kelly and Frank Sinatra, as well as several other MGM movies. In the biopic about Frédéric Chopin, A Song to Remember, Iturbi’s playing was used in the soundtrack in scenes where Cornel Wilde, as Chopin, was playing the piano.

Unfortunately, while these films made him very popular during his lifetime, his musical exhibitionism and Hollywood appearances caused many connoisseurs to undervalue him as a serious musician.

Josef Von Sternberg

Josef von Sternberg, born Jonas Sternberg, 29 May 1894 – 22 December 1969, was an Austrian-American film director. He is particularly noted for his distinctive mise en scène, use of lighting and soft lens, and seven-film collaboration with actress Marlene Dietrich.

Sternberg was born Jonas Sternberg to a Jewish family in Vienna. When he was two years old the family moved to America, and he spent most of his childhood in New York City and Lynbrook, New York. The false aristocratic title ‘von’ was added by actor/co-producer Elliott Dexter in 1925 during the production of By Divine Right), supposedly to “even up” the credits as they appeared on screen. Sternberg did not protest, since it invited comparison with his hero, Erich von Stroheim. His father, Moses Sternberg, a former soldier in the army of Austria-Hungary, twice tried to make a home for the family in the US before finding employment as a lace worker.

Sternberg dropped out of Jamaica High School and worked as an errand boy in a lace warehouse. He later obtained a job cleaning and repairing movie prints, and soon found himself working for William A. Brady at the World Film studios at Fort Lee, New Jersey. He made his directorial debut in 1925 with The Salvation Hunters. Charlie Chaplin was impressed by this film, and encouraged Douglas Fairbanks and Mary Pickford to acquire the rights to it. Pickford also asked him to direct a film with her as star, but rejected his first scenario. Chaplin also commissioned him to write and direct A Woman of the Sea, starring his former star and lover Edna Purviance, but this film was also suppressed. Sternberg had commercial success later in the decade at Paramount Pictures with the late-period silent films The Last Command and The Docks of New York, both noted for their influential cinematography. His reputation was also advanced by a series of early gangster films including Underworld and Thunderbolt.

Sternberg’s career suffered a decline after Thunderbolt. and he accepted an invitation to make a film in Germany. In 1929, Sternberg worked in Berlin and directed the widely acclaimed film Der blaue Engel in both German and English versions simultaneously, the first German-language talkie. It was Sternberg’s second film with the German actor Emil Jannings as the doomed Professor Rath.

Joseph Cotten

Joseph Cheshire Cotten was an American actor of stage and film. Cotten achieved prominence on Broadway, starring in the original productions of The Philadelphia Story and Sabrina Fair. He is associated with Orson Welles, leading to appearances in Citizen Kane, The Magnificent Ambersons, Journey into Fear, for which Cotten was also credited with the screenplay, and The Third Man. He was a star in his own right with films such as Shadow of a Doubt, Love Letters and Portrait of Jennie. Cotten was born in Petersburg, Virginia, the son of Sallie Bartlett and Joseph Cheshire Cotten, Sr., who was an assistant postmaster. Cotten worked as an advertising agent after attending the Washington, D.C., Hickman School of Speech and Expression, where he studied acting. His work as a theatre critic inspired him to become more involved in theatre productions, first in Virginia, and later in New York. Cotten made his Broadway debut in 1930, and soon befriended Orson Welles. In 1937, he joined Welles’ Mercury Theatre Company, starring in productions of Julius Caesar and Shoemaker’s Holiday.

Cotten made his film debut in the Welles-directed short Too Much Johnson, a comedy based on William Gillette’s 1890 play. The short was occasionally screened before or after Mercury productions, but never received an official release. Before acting in this film, Cotten got into good physical shape by working out at the Waple Studio of Physical Culture in Alexandria, Virginia. Cotten returned to Broadway in 1939, starring as C.K. Dexter Haven in the original production of Philip Barry’s The Philadelphia Story as well as the 1953 production of Sabrina Fair.

After the success of Welles’s War of the Worlds 1938 Hallowe’en radio broadcast, Welles gained a unique contract with RKO Pictures. The two-picture deal promised full creative control for the young director below an agreed budget limit, and Welles intention was to feature the Mercury players in his productions. Shooting had still not begun on a Welles film after a year, but after a meeting with writer Herman J. Mankiewicz Welles had a suitable project.

Joseph L. Mankiewicz

Joseph Leo Mankiewicz was an American film director, screenwriter, and producer. Mankiewicz had a long Hollywood career and is best known as the writer-director of the Oscar-winning All About Eve. He was brother to the equally famous screenwriter and drama critic Herman J. Mankiewicz who also won an Oscar ? for co-writing Citizen Kane. Joseph Mankiewicz was born in Wilkes-Barre, Pennsylvania to Franz Mankiewicz and Johanna Blumenau, Jewish immigrants from Germany. He had a sister, Erna Mankiewicz, and a brother, Herman J. Mankiewicz, who became a screenwriter.

At age four, Mankiewicz moved with his family to New York City where he graduated in 1924 from Stuyvesant High School. In 1928, he obtained a bachelor’s degree from Columbia University. For a time he worked in Berlin, Germany, as a foreign correspondent for the Chicago Tribune newspaper before being lured into the motion picture business.

Comfortable in a variety of genres and able to elicit career performances from actors and actresses alike, Joseph L. Mankiewicz combined ironic, sophisticated scripts with a precise, sometimes stylised mise en scène. Mankiewicz worked for seventeen years as a screenwriter for Paramount and as a producer for MGM before getting a chance to direct at Twentieth Century-Fox. Over six years he made 11 films for Fox, reaching a peak in 1949 and 1950 when he won consecutive Academy Awards for Screenplay and Direction for A Letter to Three Wives and All About Eve.

Joseph Schenck

Joseph Michael Schenck was a pioneer executive who played a key role in the development of the United States film industry.

Born in Rybinsk, Yaroslavl Oblast, Russia to a Jewish household, he and his family-including younger brother Nicholas- emigrated to New York City in 1893, he and Nicholas eventually got into the entertainment business operating concessions at New York’s Fort George Amusement Park. Recognizing the potential, in 1909 the Schenck brothers purchased Palisades Amusement Park and after that became participants in the fledgling motion picture industry as partners with Marcus Loew, operating a chain of movie theaters. Through his involvement in the film business, in 1916 Joseph Schenck met and married Norma Talmadge, one of the top young stars with Vitagraph Studios.

After parting ways with his brother, Joseph Schenck moved to the West Coast where the future of the film industry seemed to lie. Within a few years the brilliant and ambitious Schenck was made the first president of the new United Artists. In 1933 he partnered with Darryl F. Zanuck to create 20th Century Pictures that merged with Fox Film Corporation in 1935. As chairman of the new 20th Century Fox he was one of the most powerful and influential people in the film business.

Caught in a payoff scheme to buy peace with the militant unions, he was convicted of income tax evasion and spent time in prison before being granted a presidential pardon. Following his release, he returned to 20th Century Fox where he became infatuated with a young actress named Marilyn Monroe and played a key role in launching her career.

Joseph Schildkraut

Joseph Schildkraut was an Austrian stage and film actor.

Born in Vienna, Austria, Schildkraut was the son of stage actor Rudolph Schildkraut. The younger Schildkraut moved to the United States in the early 1900s. He appeared in many Broadway productions. Among the plays that he starred in was a notable production of Peer Gynt.

In 1921, Schildkraut played the title role in the first American stage production of Ferenc Molnár’s Liliom, the play that would eventually become the basis for Rodgers and Hammerstein’s Carousel. He then began working in silent movies, although he did return to the stage occasionally. He had early success in film as the Chevalier de Vaudrey in D.W. Griffith’s Orphans of the Storm with Lillian Gish. Later, he was featured in Cecil B. DeMille’s epic 1927 film The King of Kings, as Judas Iscariot. Schildraut’s father Rudolf also appeared in the film. Joseph Schildkraut also played a Viennese-accented, non-singing Gaylord Ravenal in the 1929 part-talkie film version of Edna Ferber’s Show Boat. The character as written in the 1929 film was much closer to Ferber’s original than to the depiction of him in the classic Kern and Hammerstein musical play based on the novel as well as the 1936 and 1951 film versions of the musical.

Schildkraut received an Academy Award for Best Supporting Actor for his role as Alfred Dreyfus in The Life of Emile Zola. He gained further fame for playing the ambitious duc d’Orléans in the historical epic Marie Antoinette, opposite Norma Shearer, Tyrone Power, John Barrymore and Robert Morley, and gave a notable performance as the villainous Nicolas Fouquet in The Man in the Iron Mask .

Joseph Szigeti

Joseph Szigeti was a Hungarian virtuoso violinist.

Born into a musical family, he spent his early childhood in a small town in Transylvania. He quickly proved himself to be a child prodigy on the violin, and moved to Budapest with his father to study with renowned pedagogue Jen? Hubay. After completing his studies with Hubay in his early teens, Szigeti began his international concert career. His concertizing at that time was primarily limited to salon-style recitals and the more overtly virtuosic repertoire; however, after making the acquaintance of pianist Ferruccio Busoni, he began to develop a much more thoughtful and intellectual approach to music that eventually earned him the nickname "The Scholarly Virtuoso".

Following a bout of tuberculosis which necessitated a stay in a sanatorium in Switzerland, Szigeti settled in Geneva where he became Professor of Violin at the local conservatory in 1917. It was in Geneva that he met his wife, Wanda Ostrowska, and at roughly the same time he became friends with the great composer Béla Bartók. Both relationships were to be lifelong.

From the 1920s until 1960, Szigeti performed regularly around the world and recorded extensively. He also distinguished himself as a strong advocate of new music, and was the dedicatee of many new works by contemporary composers. Among the more notable pieces written for him are Ernest Bloch's Violin Concerto, Bartók's Rhapsody No. 1, and Eugène Ysaÿe's Solo Sonata No. 1. He retired from the concert stage in 1960 and occupied himself with teaching and writing until his death in 1973, at the age of 80.

Sonny James

James Loden, known professionally as Sonny James, is an American country music singer and songwriter best known for his 1957 hit, "Young Love". Dubbed the Southern Gentleman, James had 72 country and pop chart hits from 1953 to 1983, including a five-year streak of 16 straight among his 23 number one hits. Twenty-one of his albums reached the country top ten from 1964 to 1976. He is a member of the Grand Ole Opry and the Country Music Hall of Fame. James is currently retired and lives in Nashville, Tennessee.

Loden was born to Archie Loden and Della Burleson Loden, who operated a 300-acre farm outside Hackleburg, Alabama. His parents were amateur musicians, and his sister Thelma also played instruments and sang from an early age. By age three he was playing a mandolin and singing. In 1933 the family appeared on a radio audition which resulted in their being offered a regular Saturday slot on Muscle Shoals, Alabama radio station WMSD-AM. About this time the parents volunteered to raise an Alabama girl named Ruby Palmer, and soon Ruby was also part of the musical group, and the singing Loden Family was soon playing theaters, auditoriums and schoolhouses throughout the Southern United States.

To this point the musical appearances had been a part-time effort for the family, as they returned after each gig or tour to work the family farm. After a few years the father decided they were professional enough to immerse themselves into the field full-time, so the father leased out the farm and they took a daily spot on radio station KLCN, where they provided early-morning accompaniment for the area's early-risers. After that they had spots on several other radio stations around the South. In 1949 they returned to Alabama, with a show on radio station WSGN in Birmingham, Alabama. Near Christmastime that year, the two girls were married in West Memphis, Arkansas in a double ceremony and left the group. The parents found other girls to take their place, but the group soon fell apart. During the summer of 1950 James worked with a band on the Memphis, Tennessee radio station WHBQ, but that was interrupted near the end of the summer when James' National Guard unit was activated to participate in the Korean War, one of the first US groups to respond to that conflict. On September 9, 1950 his Alabama Army National Guard unit was sent to Korea, returning home in the fall of 1951. Loden was honorably discharged and moved to Nashville, Tennessee where he signed with Capitol Records with the help of Chet Atkins, with whom he had previously roomed. The company asked him to drop his last name professionally, and he released his first studio record as Sonny James.

While appearing on Louisiana Hayride he met musician Slim Whitman. James' performance on stage playing a fiddle and singing brought a strong crowd response, and Whitman invited him to front for his new touring band. James stayed with Whitman's group for two months. before returning to Nashville to make further recordings, including what became his first Top Ten country hit, "That's Me Without You". Over the next few years, he had several songs that did reasonably well on the country music charts and he continued to develop his career with performances at live country music shows. He also appeared on radio, including Big D Jamboree, before moving to the all-important new medium, television, where he became a regular performer on ABC's Ozark Jubilee in Springfield, Missouri beginning in October 1955.

José Feliciano

José Montserrate Feliciano García is a blind Puerto Rican singer, virtuoso guitarist and composer, known for many international hits including the 1970 holiday single "Feliz Navidad".

Feliciano was born in Lares, Puerto Rico, one of twelve children. He is blind because of congenital glaucoma. He was first exposed to music at age three. When he was five, his family moved to Spanish Harlem, New York City and, at age nine, he played on the Teatro Puerto Rico. He started his musical life playing accordion until his grandfather gave him a guitar. He reportedly sat by himself in his room for up to 14 hours a day to listen to 1950s rock albums, classical guitarists such as Andrés Segovia, and jazz players such as Wes Montgomery. He later had classical lessons with Harold Morris who earlier had been a student with Segovia.

At 17, he quit school to play in clubs, having his first professional, contracted performance in Detroit.

In 1963, after some live performances in pubs and clubs around the USA, especially in Greenwich Village, NY, where he played at the same time as Bob Dylan and Joan Baez, he was signed at RCA Victor. In 1964, he released his first single "Everybody Do the Click". Later, in 1965 and 1966, he also released his first albums The Voice and Guitar of Jose Feliciano and A Bag Full of Soul, two folk-pop-soul albums that showcased his talent on radio across the USA, where he was described as a "10 finger wizard". He also was invited to the Newport Jazz festival in 1964.