Claire Trevor

Claire Trevor was an American actress. She was nicknamed the “Queen of Film Noir” because of her many appearances in “bad girl? roles in film noir and other black-and-white thrillers. She appeared in over 60 films.

Trevor was born as Claire Wemlinger in Bensonhurst, Brooklyn, New York in 1910, the only child of Noel and Betty Wemlinger, a Fifth Avenue merchant tailor and his wife, and grew up in Larchmont, New York. Her family was of Irish American and French American descent.

According to her biography on the website of Claire Trevor School of the Arts, “Trevor’s acting career spanned more than seven decades and included successes in stage, radio, television and film. . he often played the hard-boiled blonde, and every conceivable type of ‘bad girl’ role.”

After completing high school, Trevor began her career with six months of art classes at Columbia University and six months at the American Academy of Dramatic Arts, performing in stock in the late 1920s. By 1932 she was starring on Broadway; that same year she began appearing in Brooklyn-filmed Vitaphone shorts. Her first credited film role was in the 1933 film Life in the Raw, with her feature film debut coming that same year in Jimmy and Sally, with her portraying “Sally Johnson”.

Claire Windsor

Claire Windsor was a notable American film actress of the silent screen era.

Windsor was born Clara Viola Cronk in 1892 to George Edwin and Rosella R. Fearing Cronk in Marvin, Phillips County, Kansas of Scandinavian heritage. Her parents later moved to Cawker City, Kansas when she was a small child. She attended Washburn College in Topeka, Kansas from 1906 to 1907. An early marriage to a man named David Willis Bowes, took place on May 13, 1914 in Denver, Colorado, resulted in the birth of a son, David William Bowes, born on September 9, 1916, and the couple soon went their separate ways. Bowes officially filed for divorce on September 14, 1920. Claire moved to Seattle, Washington with her parents where she entered and won a beauty contest. On the advice of a friend, Claire moved to California in hopes of making a career as an actress in the new medium of motion pictures. Initially receiving only bit parts, she was soon spotted by Lois Weber, a highly regarded and influential director and producer of silent films for Paramount Pictures. Weber immediately signed Windsor to a contract. Windsor costarred with Louis Calhern in Weber’s The Blot. Claire Windsor’s film debut was in the 1920 release To Please One Woman which was only a modest success. To promote the nascent starlet, Paramount Pictures often paired Windsor with the newly divorced legendary actor Charlie Chaplin in publicity photographs, leading the tabloid press to give mention to the young actress in print. The publicity paid off; in 1922 the newly formed Western Association of Motion Picture Advertisers began their annual WAMPAS Baby Stars awards and named Claire Windsor, along with Bessie Love, Lila Lee, Mary Philbin and Colleen Moore, as the year’s most promising starlets. That same year Claire signed a contract with Goldwyn Pictures Corporation.

In 1923, the former Ola Cronk officially began using the more matinee-friendly Claire Windsor as a moniker. Throughout the 1920s, Windsor established herself as highly regarded leading lady in film. As her career progressed, she was often typecast as the “upscale society girl”, often playing the part of a princess, or monied socialite. Critics lauded her elegant fashion sense, and Windsor became a noted trend-setter of 1920s fashion.

Clara Bow

Clara Gordon Bow was an American actress who rose to stardom in the silent film era of the 1920s. Her acting artistry and high spirits made her the premier flapper and the film It made her world famous as the “It Girl”. Bow came to personify the “roaring twenties” and is described as its leading sex symbol.

Bow was a third child; the first two, also daughters, born in 1903 and 1904, died in infancy. Her mother, Sarah Bow, was told by a doctor not to become pregnant again for fear the next baby may die as well. Despite this, Bow was conceived in fall of 1904. According to Bow her mother became “almost mad with apprehension and fear.” The delivery proved to be as difficult as feared; “At first, they thought I was dead. I don’t suppose two people ever looked death in the face more clearly than my mother and I the morning I was born. We were both given up, but somehow we struggled back to life.” Bow was born 1905 in a tenement in Brooklyn slums, New York.

At sixteen, Sarah fell from a second-story window and suffered a severe head injury. Later she was diagnosed with “psychosis due to epilepsy”, which apart from the seizures can cause disordered thoughts, delusional ideas, paranoia and aggressive behavior.

From her earliest years, Bow learned how to care for her mother during seizures and how to deal with psychotic and hostile episodes. She said her mother could be “mean” to her, but “didn’t mean to.she couldn’t help it”. Still, Bow felt deprived of her childhood, stating “As a kid I took care of my mother, she didn’t take care of me”. Sarah worsened gradually, and when she realized her daughter was set for a movie career, she told her she “would be much better off dead”. One night in February 1922, Bow awoke with a butcher knife against her throat; when her mother hesitated, Bow fended her off and locked her up. In the morning, Sarah had no recollection of the episode and was later committed to a charity hospital.

Clara Kimball Young

Clara Kimball Young was an American film actress, who was highly regarded and publicly popular in the early silent film era.

Clarisa Kimball was born in Chicago; her parents Edward M. Kimball and Pauline Maddern were travelling stock actors. She made her stage debut at the age of three, and throughout her early childhood travelled with her parents and acted with their theater company. She attended St. Francis Xavier’s Academy in Chicago and then was afterwards hired into a stock company and resumed her stage career, travelling extensively through the United States and playing various small town theaters.

Early in her career she met and married a fellow stock company actor named James Young. After sending a photograph to the Vitagraph motion picture studios Clara Kimball Young, as she was then known, and her husband were both offered yearly contracts in 1912.

In the new medium of motion pictures, and without much screen competition, Clara Kimball Young’s star at Vitagraph rose quickly. Young was predominantly cast in one and two reel roles as the virtuous heroine. By 1913 she had become one of the most popular leading ladies at Vitagraph and placed at number seventeen in a public popularity poll. Unfortunately, many of Young’s films from her early period with Vitagraph are now lost.

Clarence Brown

Clarence Brown was an American film director.

Born in Clinton, Massachusetts, to a cotton manufacturer, Brown moved to the South when he was eleven. He attended Knoxville High School and the University of Tennessee, both in Knoxville, Tennessee, graduating from the university at the age of 19 with two degrees in engineering. An early fascination in automobiles led Brown to a job with the Stevens-Duryea Company, then to his own Brown Motor Car Company in Alabama. He later abandoned the car dealership after developing an interest in motion pictures around 1913. He was hired by the Peerless Studio at Fort Lee, New Jersey, and became an assistant to the great French-born director Maurice Tourneur.

After serving in World War I, Brown was given his first co-directing credit for 1920s The Great Redeemer. Later that year, he directed a major portion of The Last of the Mohicans after Tourneur was injured in a fall.

Brown moved to Universal in 1924, and then to MGM, where he stayed until the mid-1950s. At MGM he was one of the main directors of their female stars–he directed both Joan Crawford and Greta Garbo six times. Garbo referred to Brown as her favorite director.

Clark Gable

William Clark Gable was an American film actor, nicknamed “The King of Hollywood” in his heyday. In 1999, the American Film Institute named Gable seventh among the greatest male stars of all time.

Gable’s most famous role was Rhett Butler in the 1939 Civil War epic film Gone with the Wind, in which he starred with Vivien Leigh. His performance earned him his third nomination for the Academy Award for Best Actor; he won for It Happened One Night and was also nominated for Mutiny on the Bounty. Later performances were in Run Silent, Run Deep, a submarine war film, and his final film, The Misfits, which paired Gable with Marilyn Monroe in her last screen appearance.

During his long film career, Gable appeared opposite some of the most popular actresses of the time. Joan Crawford, who was his favorite actress to work with, was partnered with Gable in eight films, Myrna Loy was with him seven times, and he was paired with Jean Harlow in six productions. He also starred with Lana Turner in four features, and with Norma Shearer in three. Gable was often named the top male star in the mid-30s, and was second only to the top box-office draw of all, Shirley Temple.

Gable was born in Cadiz, Ohio to William Henry “Bill” Gable, an oil-well driller, and Adeline, who was of German and Irish descent. He was mistakenly listed as a female on his birth certificate. His original last name was Goebel, but this was considered too German during World War I because of anti German sentiment. Birth registrations, school records and other documents contradict one another. “William” would have been in honor of his father. “Clark” was the maiden name of his maternal grandmother. In childhood he was almost always called “Clark”; some friends called him “Clarkie,” “Billy,” or “Gabe”.

Claude Rains

Claude Rains was an English stage and film actor whose career spanned 47 years; he later held American citizenship. He was known for many roles in Hollywood films, among them the title role in The Invisible Man, a corrupt senator in Mr. Smith Goes to Washington, and, perhaps his most notable performance, as Captain Renault in Casablanca. Rains was born William Claude Rains in Camberwell, London. He grew up, according to his daughter, with “a very serious cockney accent and a speech impediment”. His father was British stage actor Frederick Rains, and the young Rains made his stage debut at 11 in Nell of Old Drury.

His acting talents were recognised by Sir Herbert Beerbohm Tree, founder of The Royal Academy of Dramatic Art. Tree paid for the elocution lessons Rains needed in order to succeed as an actor. Later, Rains taught at the institution, teaching John Gielgud and Laurence Olivier, among others.

Rains served in the First World War in the London Scottish Regiment, with fellow actors Basil Rathbone, Ronald Colman and Herbert Marshall. Rains was involved in a gas attack that left him nearly blind in one eye for the rest of his life. However, the war did aid his social advancement and, by its end, he had risen from the rank of Private to Captain.

Claudette Colbert

Claudette Colbert was a French-born American stage and film actress.

Born in Saint-Mandé, France and raised in New York City, Colbert began her career in Broadway productions during the 1920s, progressing to film with the advent of talking pictures. She established a successful film career with Paramount Pictures and later, as a freelance performer, became one of the highest paid entertainers in American cinema. Colbert was recognized as one of the leading female exponents of screwball comedy; she won the Academy Award for Best Actress for her comedic performance in It Happened One Night, and also received Academy Award nominations for her dramatic roles in Private Worlds and Since You Went Away. Her film career began to decline in the 1950s, and she made her last film in 1961. Colbert continued to act in theater and, briefly, in television during her later years. After a career of more than 60 years’ duration, Colbert retired to her home in Barbados, where she died at the age of 92, following a series of strokes.

Colbert received theatre awards from the Sarah Siddons Society, a lifetime-achievement award at the Kennedy Center Honors, and, in 1999, the American Film Institute placed her at number twelve on their “AFI’s 100 Years. 100 Stars” list of the “50 Greatest American Screen Legends”.

Clayton Moore – The Lone Ranger

Clayton Moore was an American actor best known for playing the fictional western character Lone Ranger from 1949-1951 and 1954-1957 on the television series of the same name.

Born Jack Carlton Moore in Chicago, Illinois, Moore became a circus acrobat by age 8 and appeared at the Century of Progress exposition in Chicago in 1934 with a trapeze act.

As a young man, Moore worked successfully as a John Robert Powers model. Moving to Hollywood in the late 1930s, he worked as a stunt man and bit player between modeling jobs. According to his autobiography, around 1940 Hollywood producer Edward Small persuaded him to adopt the stage name “Clayton” Moore. He was an occasional player in B westerns and the lead in four Republic Studio cliffhangers, and two for Columbia. Moore served in the U.S. Army Air Forces during World War II and made training films with the First Motion Picture Unit.

Moore’s career advanced in 1949, when George Trendle spotted him in Ghost of Zorro. As creator/producer of The Lone Ranger radio show, Trendle was about to launch the television version. Moore landed the role.

Chuck Lorre

Television producer Chuck Lorre was honored with the 2,380th star on the Hollywood Walk of Fame. Mark Panatier, Hollywood Chamber of Commerce Chairman of the Board, presided over the ceremony. Guests included Charlie Sheen, Jon Cryer, Christine Baranski, and cast members from "Two and a Half Men" and "Big Bang Theory."

7021 Hollywood Boulevard on March 12, 2009.

BIOGRAPHY

Award-winning executive producer, writer, creator Chuck Lorre has created and helmed some of the most successful sitcoms in television history, ruling the airwaves for the past 20 years, with hit shows like "Grace Under Fire," "Dharma & Greg," and "Cybill." He currently is creator and executive producer of two Warner Bros. Television and the CBS hit comedies, "Two and a Half Men" the number one comedy on television and four-time People's Choice Award winner, and "The Big Bang Theory" one of television's fastest growing sophomore series which, in its second season, is averaging more than 10 million viewers per week.

A native of Long Island, New York, Lorre got his start as a guitarist/singer, touring the country and writing several hundred pop songs that, as he puts it, "helped keep him out of the big time" (Debbie Harry's top 40 hit "French Kissin' in the USA" being the lone exception). After more than a decade on the road, Lorre decided to turn his attention to television. He began writing animation scripts for DIC and Marvel Productions, as well as writing and producing the themes and scores for such animated series as "Teenage Mutant Ninja Turtles."

A spec primetime script soon led to freelance work on the syndicated comedy "Charles In Charge" and eventually to a staff job on the NBC sitcom "My Two Dads", starring Paul Reiser. Lorre's big break came in 1991, when he became a supervising producer on the ABC/Carsey-Werner hit comedy "Roseanne." Over the next two seasons, during which he was upped to co-executive producer, Lorre helped bring the show to the height of its critical and popular acclaim, shattering one sacred cow after another in the process.

Since then, Lorre has dominated network television by single-handedly keeping the multi-camera sitcom alive through hit series that generate mass appeal. He continues to break television records with "Two and a Half Men." It is the number one off-network sitcom in syndication for the 2007-2008 season. During this season, the rebroadcast of the show has delivered more viewers than first-run episodes of nearly every other sitcom.

In January 2009, Lorre kicked off the New Year when he was honored with the NATPE Brandon Tartikoff Legacy Award for exhibiting extraordinary passion, leadership, independence and vision in the process of creating television programming and in evoking the spirit of Brandon Tartikoff's generosity. This past February, Lorre was presented with the 2009 Television Showman of the Year Award at the 46th Annual ICG Publicists Awards Ceremony, which recognizes individuals whose creative accomplishments reflect the finest qualities of what has traditionally been defined as showmanship. Lorre will also receive the David Angell Humanitarian Award on behalf of the American Screenwriters Association for demonstrating his charitable efforts at the Venice Family Clinic. This award is presented to an individual in the entertainment industry who contributes to global well-being through their donation of time, expertise or other support to improve the human condition.

Despite his busy schedule, Lorre is involved with the aforementioned

Venice Family Clinic and the Dharma/Grace Foundation, where he insisted that the foundation directly benefit the people for whom the money was intended. In other words, dollars had to be translated immediately into services. Through the Dharma/Grace Foundation, Lorre has made it possible for funds to be distributed to the Clinic in perpetuity. In 2002, Lorre was honored with the Silver Circle Humanitarian Award for his compassion and his determination to assure that the sick be cared for, that children be given a healthy beginning and that no one be turned away for lack of financial resources. Another addition to the clinic, The Robert Levine Family Health Center, named after Lorre's father, provided free healthcare services to more than 4,000 women and teens in 2008 and continues to serve a growing number of patients at 5% increase each year. In addition to serving as a core benefactor and advocate for the organization, Lorre is also a member of the Philanthropy Board.