Marjorie Rambeau was an American film and stage actress.

Rambeau was born in San Francisco, California. She began performing on the stage at the age of 12.

In her youth she was a Broadway leading lady. In 1921, Dorothy Parker memorialized her in verse:

Her few silent film roles such as Mary Moreland, The Dazzling Miss Davison, The Mirror, The Debt, Motherhood and The Greater Woman were not major successes. By the time talkies came along she was in her early forties and she began to take on character roles in films such as Min and Bill, The Secret Six, Laughing Sinners, Grand Canary, Palooka, and Primrose Path, for which she was nominated for the Academy Award for Best Supporting Actress.

Marie Doro was an American stage and film actress of the early silent film era.

Marie Doro was born as Marie Katherine Steward in Duncannon, Pennsylvania and began her career as a theater actress before progressing to motion pictures in 1915, under contract with film producer Adolph Zukor.

She was briefly married to the vaudeville and silent screen actor Elliott Dexter; the marriage soon ended in divorce. The marriage produced no children and Doro never remarried. Her name was linked over the years to much older William Gillette, of Sherlock Holmes fame, who was probably infatuated with her.

Doro’s film debut for Zukor’s Famous Players studio was the starring role in the now lost short film The Morals of Marcus in 1915.

Marie Windsor. Born as Emily Marie Bertelson in Marysvale, Piute County, Utah, Windsor was an actress known as “The Queen of the Bs” because she appeared in so many film noirs and B-movies like Cat-Women of the Moon. However, other actresses, such as Fay Wray, Lucille Ball, and others have garnered the title as well.

Windsor, a former Miss Utah, trained for the stage under Maria Ouspenskaya, and after several years as a telephone operator, a stage and radio actress, and a bit and extra player in films, she began playing feature and lead parts in 1947.

The 5’9″ actress’s first memorable role was opposite John Garfield in Force of Evil playing seductress Edna Tucker. Windsor also had large roles in film noirs including The Sniper, The Narrow Margin, City That Never Sleeps and Stanley Kubrick’s heist movie The Killing playing Elisha Cook Jr.’s scheming wife.

Later she moved on to television, appearing on such shows as Maverick, Bat Masterson, The Incredible Hulk, General Hospital, Murder, She Wrote, Rawhide, and Salem’s Lot.

Marilyn Miller was one of the most popular Broadway musical stars of the 1920s and early 1930s. She was an accomplished tap dancer, singer and actress, but it was the combination of these talents that endeared her to audiences. On stage she usually played rags-to-riches Cinderella characters who lived happily ever after. By contrast her personal life was marked by tragedy and illness, ending in her death at age 37.

She was born Mary Ellen Reynolds in Evansville, Indiana, the youngest daughter of Edwin D. Reynolds, a telephone lineman, and his first wife, the former Ada Lynn Thompson. The tiny, delicate-featured blonde beauty was only four years old when, as “Mademoiselle Sugarlump,” she debuted at Lakeside Park in Dayton, Ohio as a member of her family’s vaudeville act, the Columbian Trio, which then included Marilyn’s step-father, Oscar Caro Miller, and two older sisters, Ruth and Claire. They were re-christened the Five Columbians after Marilyn and her mother joined the routine. From their home base in Findlay, Ohio, they toured the Midwest and Europe in variety for ten years, skirting the child labor authorities, before Lee Shubert discovered Marilyn at the Lotus Club in London in 1914.

Miller appeared for the Shuberts in the 1914 and 1915 editions of The Passing Show, a Broadway revue at the Winter Garden Theatre, as well as in The Show of Wonders and Fancy Free. But it was Florenz Ziegfeld who made her a star after she performed in his Ziegfeld Follies of 1918, at the famed New Amsterdam Theatre on 42nd Street, with music by Irving Berlin. Sharing billing with Eddie Cantor, Will Rogers and W.C. Fields, she brought the house down with her impersonation of Ziegfeld’s wife, Billie Burke, in a number entitled Mine Was a Marriage of Convenience.

She followed as a headliner in the Follies of 1919, dancing to Berlin’s “Mandy”, and reputedly became Ziegfeld’s mistress, though this was never proven. Miller attained legendary status in the Ziegfeld production Sally with music by Jerome Kern, especially for her performance of Kern’s “Look for the Silver Lining.” The musical, about a dishwasher who joins the Follies and marries a millionaire, ran 570 performances at the New Amsterdam. In 1921, a still-obscure Dorothy Parker memorialized her performance in verse: