The Sons of the Pioneers

The Sons of the Pioneers is an American cowboy singing group founded in 1933 by Leonard Slye, with Tim Spencer and Bob Nolan. They were joined by Hugh Farr in 1934, Karl Farr in 1935, and Lloyd Perryman in 1936.

When Rogers began his film career, the group took on Pat Brady, who brought with him his flair for comedy. The group remained popular into the 1960s.

Though all of the original members are deceased, the group continues. Group "trail boss," Dale Warren, died in August of 2008, ending a 56-year stint with the group. The group still performs regularly at concerts in Branson, Missouri and other locations, as of 2010, led by current "trail boss" Luther Nallie. Current members are Luther Nallie, Gary LeMaster, Ken Lattimore, Randy Rudd, Ricky Boen and Mark Abbott.

It has been claimed that The Sons of the Pioneers is the oldest continually performing private musical group in history. Ken Curtis is best remembered as an actor, primarily for playing Festus on Gunsmoke, but was a member of the Sons from 1949 to 1953. Western character actor Shug Fisher was a member from 1943–46, 1949–53 and 1955–59.

The Real Don Steele

Don Steele, born Donald S. Revert, was one of the most popular disc jockeys in the United States, from the middle of the 1960s until his retirement for health reasons in May 1997. He was often promoted as “The Real Don Steele” to distinguish himself from another DJ with the same name.

Born in Hollywood, California, Steele first became famous as a DJ on radio station KHJ in Los Angeles, where he helped to promote the “ultrahip” top-40 Boss Radio format which began on May 3, 1965. He also appeared on TV in his own programs called Boss City and The Real Don Steele TV Show, a show which ran from 1965 to 1975 on KHJ-TV channel 9 in Los Angeles. When the popularity of AM radio gave way to FM stereo in the 1970s, Steele continued to remain a popular personality at the station. For the remaining years of his life he spent his broadcasting days at Los Angeles’s KRTH-FM. He graduated from Hollywood High School, served in the United States Air Force and then studied at a local radio school. Shortly thereafter Steele began working outside of L.A. at KBUC in Corona, CA then moving onto Kennewick, KIMA Yakima and KXLY Spokane, Washington; KOIL Omaha, Nebraska; KISN Portland, Oregon, and KEWB San Francisco before returning to Los Angeles to work at the All-New KHJ in April 1965.

In the book Los Angeles Radio People, Steele recalled the beginnings of Boss Radio in May, 1965: “We were standing literally at ground zero, then became a huge giant. It was like a mushroom cloud that went up — heavy on the mushroom.”

The Ritz Brothers

The Ritz Brothers were an American comedy team who appeared in films, and as live performers from 1925 to the late 1960s.

Although there were four brothers, the sons of Austrian-born haberdasher Max Joachim and his wife Pauline, only three of them performed together. There was also a sister, Gertrude. The fourth brother, George, acted as their manager. The performers were:

The family name was Joachim but eldest brother Al, a vaudeville dancer, adopted a new professional name after he saw the name "Ritz" on the side of a laundry truck. Jimmy and Harry followed suit when the brothers formed a team. The Ritzes emphasized precision dancing in their act, and added comedy material as they went along. By the early 1930s they were stage headliners.

The Ritz Brothers were hired for a New York-filmed short subject, Hotel Anchovy, produced by Educational Pictures. This did well enough for the film's distributor, Twentieth Century-Fox, to sign the Ritzes as a specialty act for feature-length musicals. During this period they appeared in On the Avenue, a 1937 Irving Berlin musical. That same year Fox gave the Ritz Brothers their own starring series, beginning with Life Begins in College.

The Simpsons

The Simpsons is an American animated television series created by Matt Groening for the Fox Broadcasting Company. The series is a satirical parody of a working-class American lifestyle epitomized by its eponymous family, which consists of Homer, Marge, Bart, Lisa, and Maggie. The show is set in the fictional city of Springfield, and lampoons American culture, society, television and many aspects of the human condition.

The family was conceived by Groening shortly before a pitch for a series of animated shorts with the producer James L. Brooks. Groening created a dysfunctional family and named the characters after members of his own family, substituting Bart for his own name. The shorts became a part of The Tracey Ullman Show on April 19, 1987. After a three-season run, the sketch was developed into a half-hour prime time show and was an early hit for Fox, becoming the first Fox series to land in the Top 30 ratings in a season. Since its debut on December 17, 1989 the show has broadcast 464 episodes and the twenty-first season finished airing on May 23, 2010. The Simpsons Movie, a feature-length film, was released in theaters worldwide on July 26 and July 27, 2007, and grossed US$527 million worldwide.

The Simpsons has won dozens of awards since it debuted as a series, including 27 Primetime Emmy Awards, 27 Annie Awards and a Peabody Award. Time magazine’s December 31, 1999 issue named it the 20th century’s best television series, and on January 14, 2000 the Simpson family was awarded a star on the Hollywood Walk of Fame. The Simpsons is the longest-running American sitcom, the longest-running American animated program, and in 2009 it surpassed Gunsmoke as the longest running American primetime entertainment series. Homer’s exclamatory catchphrase “D’oh!” has been adopted into the English lexicon, while The Simpsons has influenced many adult-oriented animated sitcoms.

The Osmonds

The Osmonds are an American family music group with a long and varied career?a career that took them from singing barbershop music as children, to achieving success as teen-music idols, to producing a hit television show, and to continued success as solo and group performers. The Osmonds are devout members of The Church of Jesus Christ of Latter-day Saints, and their religious values have influenced their careers.

When it began as a barbershop quartet, the group consisted of brothers Alan Osmond, Wayne Osmond, Merrill Osmond, and Jay Osmond. They were later joined by younger siblings Donny Osmond and Jimmy Osmond. Their only sister Marie Osmond, who never sang with her brothers at that time, would launch a successful solo career in the 70's. Older brothers George Virl Osmond, Jr. and Tom Osmond were born deaf and did not originally perform, although they later made occasional appearances, most notably on the family Christmas specials from the 70s. All of the Osmonds were born in their hometown of Ogden, Utah except the youngest, Jimmy, who was born in Canoga Park, California.

The Osmond Brothers' career began in 1958 when Alan, Wayne, Merrill, and Jay began singing barbershop music for local audiences in and around their hometown of Ogden, Utah. In the made-for-TV movie "," the Osmonds explain that they originally performed to earn money to support Virl and Tom in buying hearing aids and serving missions for their church. Despite their young ages, within a few years, the boys' talent and stage presence were strong enough that their father, George Osmond, took them to audition for Lawrence Welk in California. Welk turned them down, but on the same trip, they visited Disneyland and were hired to perform there after joining an adult barbershop quartet for some impromptu singing.

While the Osmond Brothers were performing at Disneyland, Andy Williams' father saw them and was so impressed he told his son to book them for his television show. Andy did, and the Osmond Brothers were regulars on The Andy Williams' show from 1962?1969, where they earned the nickname "one-take Osmonds" because of their professionalism and tireless rehearsing. Donny soon joined them on the show, making the Osmond Brothers a 5-member group. Marie and Jimmy were also introduced on the show as the years went by. During this time, the Osmonds also toured Europe, performing with Sweden's most popular singer, Lars Lönndahl, and even releasing a single where they sang a swedish version of "Two dirty little hands" .

The Spinners

The Spinners is a soul music vocal group, active under that name since 1961, and popular with a long run of pop and R&B hits during the 1970s. The group, originating from Detroit, still tours regularly. The band is also listed occasionally as The Motown Spinners, or as Detroit Spinners. These group monikers were used in the UK to avoid confusion with a British group also called The Spinners.

In 1954, a group of friends who grew up together in Royal Oak Township, Michigan, just outside Detroit, came together to make music. For a time, several of the band members resided in Detroit’s Herman Gardens public housing projects. Billy Henderson, Henry Fambrough, Pervis Jackson, C. P. Spencer, and James Edwards called themselves The Domingoes. James Edwards lasted only a few weeks. He was replaced by Bobbie Smith, who sang lead on most of the Spinners’ early records. C. P. Spencer left the group shortly afterwards, and would later go on to be a member of the Voice Masters and The Originals. He was replaced by George Dixon. The group renamed themselves The Spinners in 1961. This name was chosen after looking at popular car hubcaps and noting how they spun around on a car’s wheel.

The Spinners first hit the charts in August 1961 on Harvey Fuqua’s Tri-Phi Records, with “That’s What Girls Are Made For,” peaking at number 27. Bobby Smith sang lead vocal on this track, coached by Fuqua. The group’s followup, “Love I Found You” also featured lead vocals by Smith, although again some sources credit Fuqua. This track would reach number 91 that November, but none of their other Tri-Phi singles charted.

The Pointer Sisters

The Pointer Sisters are an American pop/R&B recording act from Oakland, California that achieved mainstream success during the 1970s and 1980s. Spanning over three decades, their repertoire has included such diverse genres as pop, disco, jazz, bebop, blues, soul, funk, dance, country and rock.

The group had its early origins when sisters June and Bonnie Pointer began performing in 1969 as “Pointers, a Pair”. The line-up grew to a quartet when Anita Pointer joined, followed by Ruth, who joined in December, 1972, right before they recorded their debut album. They achieved their greatest commercial success later as a trio consisting of Anita, June, and Ruth, after Bonnie left the group to commence a solo career in 1978.

As children in West Oakland, California, the Pointer sisters and brothers were encouraged to listen to and sing gospel music by their parents Reverend Elton and Mrs Sarah Pointer. However, they were told rock and roll and the blues were “the devil’s music”, and it was only when they were away from their watchful parents that they could sing these styles. They regularly sang at the Church Of God in West Oakland, but as the sisters grew older their love of other styles of music began to grow. When June brought home a copy of the Elvis Presley record All Shook Up, she was surprised that her mother allowed her to play it, until discovering that her mother had been pacified by the song “Crying in the Chapel” on the “B” side of the record.

After leaving school Ruth was already married with two children Faun and Malik, Anita also was married with a child Jada. Bonnie and June sought a show business career and they formed a duo, “Pointers, A Pair”. Later, Anita quit her job to join the group. They began touring and performing and provided backing vocals for artists such as Grace Slick, Sylvester James, Boz Scaggs and Elvin Bishop, and it was while supporting Bishop at a nightclub appearance in 1971, that the sisters were signed to a recording deal with Atlantic Records. The resulting singles that came from their Atlantic tenure failed to become hits but nevertheless, the sisters were enjoying their newfound recording career. The temptation to join them finally overwhelmed Ruth and in December 1972, she joined the group. The quartet signed to Blue Thumb Records and began to record their first full-fledged album.

The Sherman Brothers

The Sherman Brothers are an Academy Award-winning American songwriting duo that specialize in musical films, made up of Robert B. Sherman and Richard M. Sherman. The Sherman Brothers wrote more motion-picture musical song scores than any other songwriting team in film history, working for Walt Disney during the last six years of his life. Film scores of the Sherman Brothers include Mary Poppins, Chitty Chitty Bang Bang, The Jungle Book, and The Aristocats.

Sons of Russian-Jewish immigrants, Robert and Richard Sherman began writing songs together in 1951 on a challenge from their father, Tin Pan Alley songwriter Al Sherman. The brothers wrote together and with different songwriting partners throughout the rest of the decade.

In 1958, Robert founded the music publishing company Music World Corporation, which later enjoyed a landmark relationship with Disney’s BMI-affiliated publishing arm, Wonderland Music Company. That same year, the Sherman Brothers had their first top-ten hit with “Tall Paul,” sung by Mouseketeer, Judy Harriet on the Surf Records label and then covered by Mouseketeer Annette Funicello. The success of this song yielded the attention of Walt Disney, who eventually hired the Sherman Brothers as Staff Songwriters for Walt Disney Studios. The first song they wrote on personal assignment by Walt Disney was “Strummin’ Song” in 1961. It was used in the Annette Funicello made-for-television movie called The Horsemasters.

The Smothers Brothers

The Smothers Brothers are an American double act, consisting of the brothers Thomas and Richard. The brothers’ trademark act was performing folk songs, which usually led to arguments between the siblings. Tommy’s signature line was, “Mom always liked you best!” Tommy acted “slow”, and Dick, the straight man, acted “superior”.

In the 1960s, the brothers frequently appeared on television variety shows and issued several popular record albums of their stage performances. Their own television variety show, The Smothers Brothers Comedy Hour, became one of the most controversial American TV programs of the Vietnam War era. Despite popular success, the brothers’ penchant for material that was critical of the political mainstream and sympathetic to the emerging counterculture led to their program’s cancellation by the CBS network in 1969.

The brothers continued to work, both independently and as a team, on stage and television, and in films during subsequent decades.

They officially announced their retirement from touring during their final performance at the Orleans Hotel and Casino in Las Vegas, Nevada on Sunday May 16, 2010. The affair was kept low key with some family members and friends in attendance. The Smothers Brothers toured for over 51 years.

The Nicholas Brothers

The Nicholas Brothers were a famous African-American team of dancing brothers, Fayard and Harold Nicholas. With their highly acrobatic technique, high level of artistry and daring innovations, they were considered by many the greatest tap dancers of their day. Growing up surrounded by Vaudeville acts as children, they became stars of the jazz circuit during the heyday of the Harlem Renaissance and went on to have successful careers performing on stage, film, and television well into the 1990s.

Fayard Antonio Nicholas was born October 20, 1914 in Mobile, Alabama. Harold Lloyd Nicholas was born March 17, 1921 in Winston-Salem, North Carolina.

The Nicholas Brothers grew up in Philadelphia, the sons of musicians who played in their own band at the old Standard Theater, their mother at the piano and father on drums. At the age of three, Fayard was always seated in the front row while his parents worked, and by the time he was ten, he had seen most of the great African American Vaudeville acts, particularly the dancers, including such notables of the time as Alice Whitman, Willie Bryant and Bill Robinson. Neither Fayard nor Harold had any formal dance training.

They became the featured act at Harlem's Cotton Club in 1932, when Harold was 11 and Fayard was 18. They were the only entertainers in the African American cast allowed to mingle with white patrons.