Ruth Elizabeth “Bette” Davis was an American actress of film, television and theatre. Noted for her willingness to play unsympathetic characters, she was highly regarded for her performances in a range of film genres; from contemporary crime melodramas to historical and period films and occasional comedies, though her greatest successes were her roles in romantic dramas.

After appearing in Broadway plays, Davis moved to Hollywood in 1930, but her early films for Universal Studios were unsuccessful. She joined Warner Bros. in 1932 and established her career with several critically acclaimed performances. In 1937, she attempted to free herself from her contract and although she lost a well-publicized legal case, it marked the beginning of the most successful period of her career. Until the late 1940s, she was one of American cinema’s most celebrated leading ladies, known for her forceful and intense style. Davis gained a reputation as a perfectionist who could be highly combative, and her confrontations with studio executives, film directors and costars were often reported. Her forthright manner, clipped vocal style and ubiquitous cigarette contributed to a public persona which has often been imitated and satirized.

Davis was the co-founder of the Hollywood Canteen, and was the first female president of the Academy of Motion Picture Arts and Sciences. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute. Her career went through several periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships. Married four times, she was once widowed and thrice divorced, and raised her children as a single parent. Her final years were marred by a long period of ill health, but she continued acting until shortly before her death from breast cancer, with more than 100 films, television and theater roles to her credit. In 1999, Davis was placed second, after Katharine Hepburn, on the American Film Institute’s list of the greatest female stars of all time.

Ruth Elizabeth Davis, known from early childhood as “Betty”, was born in Lowell, Massachusetts, the daughter of Ruth Augusta and Harlow Morrell Davis, a patent attorney; her sister Barbara was born October 25, 1909. The family was Protestant, of English, French, and Welsh ancestry. In 1915, Davis’s parents separated and Betty and Bobby attended a Spartan boarding school called Crestalban in Lanesborough, which is located in the Berkshires. In 1921, Ruth Davis moved to New York City with her daughters, where she worked as a portrait photographer. Betty was inspired to become an actress after seeing Rudolph Valentino in The Four Horsemen of the Apocalypse and Mary Pickford in Little Lord Fauntleroy, and changed the spelling of her name to “Bette” after Honoré de Balzac’s La Cousine Bette. She received encouragement from her mother, who had aspired to become an actress.

Ben “Son” Johnson, Jr. was an American motion picture actor who was mainly cast in Westerns. He was also a rodeo cowboy, stuntman, and rancher.

Johnson was born in Foraker, Oklahoma, on the Osage Indian Reservation, of Cherokee and Irish ancestry, to Ben Sr. and Ollie Susan Johnson. His father was a rancher in Osage County and also a rodeo champion. As a young man, Johnson was a ranch hand, would travel with his father on the rodeo circuit, and become a star before becoming involved in the movies. He was the Professional Rodeo Cowboys Association’s Team Roping World Champion in 1953. After winning the title, he discovered that, after travel and expenses, he broke even for the year. Johnson was inducted into the Professional Rodeo Cowboys Association’s ProRodeo Hall of Fame in 1973.

Johnson married Carol Elaine Jones in 1941, and they were married for 53 years until her death on March 27, 1994. The couple had no children. Carol Jones was the daughter of noted Hollywood horse wrangler Clarence “Fat” Jones.

His career began with the controversial Howard Hughes film The Outlaw. Before filming began, Hughes bought some horses at the Oklahoma ranch that Johnson’s father managed, and hired Johnson to get the horses to northern Arizona, and then to take them on to Hollywood.