Heinie Conklin was an American actor of the silent film era, who appeared in nearly 400 films. Claimed to be one of the original Keystone Kops, Conklin’s silent screen makeup consisted heavy eyebrow lining and a thinnish, upside-down, painted-on variation of Kaiser Wilhelm’s moustache. He was born in San Francisco, California.

In areas where anti-German sentiments still ran high during the post-World War I era, Conklin was billed as Charlie Lynn. One of Conklin’s first talking pictures was All Quiet on the Western Front as a hospital patient. For the rest of his career in talking pictures, he had small roles in 2-reelers which starred The Three Stooges, Andy Clyde, Hugh Herbert and Harry Langdon. Conklin’s last billed movie was Abbott and Costello meet the Keystone Kops. He died in Hollywood, California.

Helen Ferguson was an American actress later turned publicist.

Born in Decatur, Illinois in 1901, she graduated from Nicholas High School of Chicago and the Academy of Fine Arts. Ferguson was a newspaper reporter before entering the motion picture field.

It is thought she made her debut in films in 1914, although her first recorded credits are in 1917. She soon starred in roles for Fox Film Corporation by 1920, which is when her career really took off with films such as Hungry Hearts for Samuel Goldwyn. She was cast mostly in westerns, comedies, and serials. She was selected as a WAMPAS Baby Stars in 1922.

She married actor William Russell in 1925, but he died in 1929. The following year, she married wealthy banker Richard L. Hargreaves. Following her second marriage, she left films to concentrate on stage work, though she only received minimal success in this medium.

Helen Gahagan was an American actress and a politician. She was the third woman and first Democratic woman elected to Congress from California; her election made California one of the first two states to have elected female members of the House from both parties.

Gahagan was born in Boonton, New Jersey of Scottish and Irish descent, and reared Roman Catholic. Graduating from Barnard College in 1924, she became a well-known star on Broadway in the 1920s. In 1931, she married actor Melvyn Douglas. Gahagan starred in only one Hollywood movie, She in 1935, playing Hash-a-Motep, queen of a lost city. The movie, based on H. Rider Haggard’s novel of the same name, is perhaps best known for popularizing a phrase from the novel, “She who must be obeyed.”

In the 1940s, Gahagan Douglas entered politics. She was elected to the United States House of Representatives from California’s 14th congressional district as a liberal Democrat in 1944, and served three full terms. During this time she carried on an affair with Congressman Lyndon B. Johnson.Ms. Douglas was mentioned in the song “George Murphy” by satirist Tom Lehrer. The song begins, “Hollywood’s often tried to mix-show business with politics-from Helen Gahagan-to Ronald Reagan?”

In 1950, Gahagan Douglas ran for the United States Senate even though the incumbent Democrat Sheridan H. Downey was seeking a third term. William Malone, the Democratic state chairman in California, had advised Douglas to wait until 1952 to run for the Senate, rather than split the party in a fight with Downey. Gahagan Douglas, however, told Malone that Downey had neglected veterans and small growers and must be unseated. Downey withdrew from the race in the primary campaign and supported a third candidate, Manchester Boddy, the owner and publisher of the Los Angeles Daily News. When Gahagan Douglas defeated Boddy for the nomination, Downey endorsed the Republican U.S. Representative Richard M. Nixon.

Helen Parrish was an American movie actress, the daughter of stage and bit film actress Laura Parrish.

She started in movies at the age of five, getting her first part playing Babe Ruth’s daughter in the silent film, Babe Come Home in 1927. She featured in the Our Gang comedy shorts and sometimes played the lead character as a child co-starring some of the great female stars of the day. In her teens she made herself known as a kid sister. But during this time, she is probably most notable as an irritant of Deanna Durbin in several of her vehicles, playing a jealous, spiteful rival. Their first film together, Mad About Music, worked so well that they soon formed a sort of Shirley Temple/Jane Withers team in a couple of other movie confections for Universal. In their second film together, Three Smart Girls Grow Up, Parrish replaced Barbara Read as sister Kay Craig.

Her films were pleasant but unexceptional and in the “B” caliber, including X Marks the Spot, When a Feller Needs a Friend, A Dog of Flanders, I’m Nobody’s Sweetheart Now, Too Many Blondes, X Marks the Spot, and The Wolf Hunters. By her mid-twenties she left motion pictures and turned to television.

Harry L. Langdon was an American comedian who appeared in vaudeville, silent films, and talkies. He was briefly partnered with Oliver Hardy.

Born in Council Bluffs, Iowa, he began working in vaudeville then joined Vitagraph Movie Studios. He eventually went over to Keystone Studios where he became a major star. At the height of his film career he was considered one of the four best comics of the silent film era. His screen character was that of a wide-eyed, childlike man with an innocent's understanding of the world and the people in it. He was a first-class pantomimist.

Most of Langdon's 1920s work was produced at the famous Mack Sennett studio. His screen character was so unique, and his antics so different from the broad Sennett slapstick, that he soon had a following. Success led him into feature films, directed by Arthur Ripley and Frank Capra. When Langdon had such good directors guiding him, he produced work that rivaled Charlie Chaplin's, Harold Lloyd's, and Buster Keaton's. His best films were The Strong Man, Tramp, Tramp, Tramp and Long Pants. After his initial success, Langdon took creative control of his films and career, but his appeal faded soon afterward. His last starring silent feature was made in 1928. Capra later claimed that Langdon's decline stemmed from the fact that, unlike the other great silent comics, he never fully understood what made his own film character successful. However, Langdon's biographer William Schelly among others have expressed skepticism about this claim, arguing that Langdon had established his character in vaudeville long before he entered movies, added by the fact that he wrote most of his own material during his stage years. The truth most likely lies somewhere between these two points, but history shows that Langdon's greatest success was while being directed by Capra, and once he took hold of his own destiny, his original film comedy persona dropped sharply in popularity with audiences. This is likely not due to Langdon's material, which he had always written himself, but with his inexperience with the many fine points of directing, at which Capra excelled, but at which Langdon was a novice.

Harry Langdon's babyish character didn't adapt well to sound films; as producer Hal Roach remarked, "he was not so funny articulate." But Langdon was a big enough name to command leads in short subjects for Educational Pictures and Columbia Pictures. In 1938 he adopted a Caspar Milquetoast-type, henpecked-husband character that served him well, he also contributed to comedy scripts as a writer, notably for Laurel and Hardy. Langdon continued to work steadily in low-budget features and shorts, always playing mild-mannered goofs, into the 1940s. As a point of interest, when Hal Roach was in a contract dispute with Stan Laurel, one-half of the great Laurel and Hardy comedic pair, the studio paired Langdon with Oliver Hardy in a 1939 film titled Zenobia.

Harry Morris Warner was an American studio executive, one of the founders of Warner Bros., and a major contributor to the development of the film industry. Along with his three brothers Warner played a crucial role in the film business and played a key role in establishing Warner Bros. Pictures, Inc, serving as the company president until 1956.

Warner was born Hirsch Moses “Wonsal” or “Wonskolaser” to a family of Polish Jews from the village of Krasnosielc. The village was a short distance from Warsaw in the part of Poland that had been subjugated to the Russian Empire following the 18th-century partitions of the Polish-Lithuanian Commonwealth. He was the son of Benjamin Wonsal, a shoemaker born in Krasnosielc, and Pearl Leah Eichelbaum. His given name was Moses but he was called Hirsch in the United States. In October, 1889, he came to Baltimore, Maryland with his mother and siblings on the steamship Hermann from Bremen, Germany. Their father had preceded them, immigrating to Baltimore in 1883 or 1885 in order to pursue his trade in shoes and shoe repair. It was at that time that he changed the family name to Warner which was used thereafter. As in many Jewish immigrant families, some of the children gradually acquired anglicized versions of their Yiddish-sounding names. Hirsch became Harry, and his middle name Morris was likely a version of Moses.

In Baltimore, the money Benjamin Warner earned in the shoe repair business was not enough to provide for his growing household. He and Pearl had another daughter, Fannie, not long after they arrived. Benjamin moved the family to Canada, inspired by a friend’s advice that he could make an excellent living bartering tin wares with trappers in exchange for furs. Sons Jacob and David Warner were born in London, Ontario. After two arduous years in Canada, the Warners returned to Baltimore. Two more children, Sadie and Milton, were added to the household there. In 1896, the family relocated to Youngstown, Ohio, following the lead of Harry, who had established a shoe repair shop in the heart of the emerging industrial town. Benjamin worked with Harry in the shoe repair shop until he secured a loan to open a meat counter and grocery store in the city’s downtown area.

In 1899, Harry opened a bicycle shop in Youngstown with his brother, Abraham.