Ray Bradbury

Raymond Douglas “Ray” Bradbury is an American fantasy, horror, science fiction, and mystery writer. Best known for his dystopian novel Fahrenheit 451 and for the science fiction stories gathered together as The Martian Chronicles and The Illustrated Man, Bradbury is one of the most celebrated among 20th and 21st century American writers of speculative fiction. Many of Bradbury’s works have been adapted into television shows or films.

Bradbury was born in Waukegan, Illinois, to a Swedish immigrant mother and a father who was a power and telephone lineman. His paternal grandfather and great-grandfather were newspaper publishers. He is also somewhat distantly related to the American Spalding family, owners of the famous Spalding sports equipment company. His central character Douglas Spaulding, from the novel Dandelion Wine, was reportedly drawn from this heritage. He is also reputedly related to the American Shakespeare scholar Douglas Spaulding.

Bradbury was a reader and writer throughout his youth, spending much time in the Carnegie library in Waukegan, Illinois. He used this library as a setting for much of his novel Something Wicked This Way Comes, and depicted Waukegan as “Green Town” in some of his other semi-autobiographical novels?Dandelion Wine, Farewell Summer?as well as in many of his short stories.

He attributes his lifelong habit of writing every day to an incident in 1932 when a carnival entertainer, Mr. Electrico, touched him on the nose with an electrified sword, made his hair stand on end, and shouted, “Live forever!” It was from then that Bradbury wanted to live forever and decided on his career as an author in order to do what he was told: live forever. It was at that age that Bradbury first started to do magic. Magic was his first great love. If he had not discovered writing, he would have become a magician.

Ray Briem

Ray Briem is a radio personality who worked in Los Angeles most of his career, most notably at KABC. He was noted for his conservative viewpoints, historical knowledge, polished delivery, and love of Big Band music. He was especially capable of debating liberal callers and guests, but his shows were not limited to politics. He interviewed a wide range of celebrities primarily from the golden age of radio, music, movies and television. He occupied the overnight shift and dominated the ratings. He had a brief stint as a nationally syndicated host for a number of years, a time which he has recalled fondly for the variety and quality of callers.

On his overnight program he was able to persuade many news and opinion makers to stay up late, or, if on the east coast, get up early, to make appearances. A frequent guest was Howard Jarvis, who used the show as a platform to promote California’s historic property tax limitation initiative, Proposition 13.

Over the years, he received many honors, including a star on the Hollywood Walk of Fame. He is currently enjoying his retirement from a long and illustrious career. On September 19, 2008 Briem was honored by Pacific Pioneer Broadcasters when their president, Chuck Southcott, presented him with the organization’s Diamond Circle Award.

Quentin Reynolds

Quentin James Reynolds was a journalist and World War II war correspondent.

As associate editor at Collier’s Weekly from 1933 to 1945, Reynolds averaged twenty articles a year. He also published twenty-five books, including The Wounded Don?t Cry, London Diary, Dress Rehearsal, and Courtroom, a biography of lawyer Samuel Leibowitz. He also published an autobiography, By Quentin Reynolds.

In June 1941 Reynolds made some satirical broadcasts on BBC radio addressing Lord Haw-Haw and Adolf Hitler which were popular enough to be reissued as postscript recordings on His Master’s Voice records soon afterwards.

After World War II, Reynolds was best known for his libel suit against right-wing Hearst columnist Westbrook Pegler, who called him “yellow” and an “absentee war correspondent”. Reynolds, represented by noted attorney Louis Nizer, won $175,001, at the time the largest libel judgment ever. The trial was later made into a Broadway play, A Case of Libel, which was twice adapted as TV movies.

Quincy Jones

Quincy Delightt Jones, Jr. is an American music conductor, record producer, musical arranger, film composer, television producer, and trumpeter. During five decades in the entertainment industry, Jones has earned a record 79 Grammy Award nominations, 27 Grammys, including a Grammy Legend Award in 1991. He is best known as the producer of the album Thriller, by pop icon Michael Jackson, which has sold over 110 million copies worldwide, and as the producer and conductor of the charity song ?We Are the World?.

In 1968, Jones and his songwriting partner Bob Russell became the first African-Americans to be nominated for an Academy Award in the “Best Original Song” category. That same year, he became the first African-American to be nominated twice within the same year when he was nominated for “Best Original Score” for his work on the music of the 1967 film In Cold Blood. In 1971 Jones would receive the honor of becoming the first African American to be named musical director/conductor of the Academy Awards ceremony. He was the first African-American to win the Academy’s Jean Hersholt Humanitarian Award, in 1995. He is tied with sound designer Willie D. Burton as the most Oscar-nominated African American, each of them having seven nominations. At the 2008 BET Awards, Quincy Jones was presented with the Humanitarian Award. He was played by Larenz Tate in the 2004 biopic about Ray Charles, Ray.

Jones was born in Chicago, the oldest son of Sarah Frances, an apartment complex manager and bank executive who suffered from schizophrenia, and Quincy Delightt Jones, Sr., a semi-professional baseball player and carpenter. Jones discovered music in grade school at Raymond Elementary School on Chicago’s South Side and took up the trumpet. When he was 10, his family moved to Bremerton, Washington and he attended Seattle’s Garfield High School. It was in Seattle that Jones first met the three years older Ray Charles. He then attended Somerset Academy.

In 1951, Jones won a scholarship to the Schillinger House in Boston, Massachusetts. However, he abandoned his studies when he received an offer to tour as a trumpeter with the bandleader Lionel Hampton. While Jones was on the road with Hampton, he displayed a gift for arranging songs. Jones relocated to New York City, where he received a number of freelance commissions arranging songs for artists like Sarah Vaughan, Dinah Washington, Count Basie, Duke Ellington, Gene Krupa, and his close friend Ray Charles.

Quinn Martin

Quinn Martin was one of the most successful American television producers. He had at least one series running in prime time for 21 straight years, an industry record.

He was born in New York City as Irwin Martin Cohn, the second of two children. His father Martin G. Cohn was a film editor and producer at MGM; his mother was Anna Cohn. From age four he was raised in Los Angeles. He graduated from Fairfax High School. He served five years in the U.S. Army during World War II ? enlisting in the Signal Corps at Fort MacArthur in San Pedro, California on September 10, 1940. He achieved the rank of sergeant. He would change his name to Quinn Martin ? the Quinn came from the pronunciation his friends gave of Cohn ? as Co-Inn.

He majored in English but did not graduate from the University of California, Berkeley, Martin started his career in television as a film editor at MGM and also worked as manager of post production for various organizations including Universal Studios, but by the mid-1950s had become an executive producer for Desilu Studios. His first wife, Madelyn Pugh Davis, was one half of the writing team behind Desilu's classic, I Love Lucy. During 1959, he produced for Desilu Productions a two part special that appeared in season 1 of Westinghouse Desilu Playhouse that became a weekly television show The Untouchables that would go on to win Emmy Awards.

In 1960, Martin established his own production company, QM Productions. He sold it in 1978 and worked as an adjunct professor at the University of California, San Diego's Warren College, where he also endowed a chair in drama. He also established a scholarship for theater arts and communications students at Santa Clara University

Rafael Méndez

Rafael Méndez was a popular Mexican virtuoso solo trumpeter.

Méndez was born in Jiquilpan, Michoacán, Mexico. As a young child, Méndez was the cornetist for Pancho Villa.

His most famous recording, “Moto Perpetuo”, was written in the eighteenth century by Paganini for violin and features Mendez double-tonguing continuously for over 4 minutes while circular breathing to give the illusion that he is not taking a natural breath while playing.

From 1950 to 1975, Méndez was a full time soloist, performing as many as 125 concerts per year. He was also very active as a recording artist. Many of his recordings are now available on compact disc.

Ralph Bellamy

Ralph Rexford Bellamy was an American actor with a career that spanned sixty-two years.

Bellamy was born in Chicago, Illinois, the son of Lilla Louise, a native of Canada, and Charles Rexford Bellamy. He ran away from home when he was fifteen and managed to get into a road show. He toured with road shows before finally landing in New York. He began acting on stage there and by 1927 owned his own theatre company. In 1931, he made his film debut and worked constantly throughout the decade first as a lead then as a capable supporting actor. Bellamy was cast in the lead role in the 1936 film Straight from the Shoulder and also in the 1937 film It Can't Last Forever with Edward J. Pawley.

He received a nomination for the Academy Award for Best Supporting Actor for his role in The Awful Truth with Irene Dunne and Cary Grant, and played a similar part, that of a naive boyfriend competing with the sophisticated Grant character, in His Girl Friday. He portrayed detective Ellery Queen in a few films during the 1940s, but as his film career did not progress, he returned to the stage, where he continued to perform throughout the fifties. Highly regarded within the industry, he was a founder of the Screen Actors Guild and served as President of Actors' Equity from 1952-1964.

Throughout the 1930s and '40's, Bellamy was regularly seen socially with a select circle of friends known affectionately as the Irish Mafia. This group consisted of a group of Hollywood A-listers who were mainly of Irish descent. Others included James Cagney, Pat O'Brien, Spencer Tracy, Lynne Overman, Frank Morgan and Frank McHugh.

Ralph Edwards

Ralph Livingstone Edwards was an American radio and television host and television producer.

Born in Merino, Colorado, Edwards worked for KROW-AM in Oakland, California while he was still in high school. After graduating from high school in 1931, he worked his way through college at the University of California, Berkeley, earning a B.A. in English in 1935. While there, he worked at every job from janitor to producer at Oakland’s KTAB. Failing to get a job as a high school teacher, he worked at KFRC and then hitchhiked across the country to New York, where, he said, “I ate ten-cent meals and slept on park benches”. After some part time announcing jobs, he got his big break in 1938 with a fulltime job for the Columbia Broadcasting System on WABC, where he worked with two other young announcers who would become broadcasting fixtures – Mel Allen and Andre Baruch.

The young broadcaster had an assured, professional manner, and in a few short years he was well established as a nationally famous announcer. It was Edwards who introduced Major Bowes every week on the Original Amateur Hour and Fred Allen on Town Hall Tonight. Edwards perfected a chuckling delivery, sounding as though he was in the midst of telling a very funny story. This “laugh in the voice” technique served him well when 20th Century Fox hired him to narrate the coming-attractions trailers for Laurel and Hardy movies. He later used the conspiratorial chuckle frequently when surprising someone on his programs.

Ramón Novarro

Ramón Novarro was a Mexican actor of Hollywood who achieved fame as a “Latin lover” in silent films.

Born José Ramón Gil Samaniego in Durango, Mexico, he moved with his family to Los Angeles, California, to escape the Mexican Revolution in 1913. A second cousin of the Mexican actresses Dolores del Río and Andrea Palma, he entered films in 1917 in bit parts; and he supplemented his income by working as a singing waiter. His friends, the actor and director Rex Ingram and his wife, the actress Alice Terry, began to promote him as a rival to Rudolph Valentino, and Ingram suggested he change his name to “Novarro.” From 1923, he began to play more prominent roles. His role in Scaramouche brought him his first major success.

In 1925, he achieved his greatest success in Ben-Hur, his revealing costumes causing a sensation, and was elevated into the Hollywood elite. As with many stars, Novarro engaged Sylvia of Hollywood as a therapist. With Valentino’s death in 1926, Novarro became the screen’s leading Latin actor, though ranked behind his MGM stablemate, John Gilbert, as a model lover. He was popular as a swashbuckler in action roles and was considered one of the great romantic lead actors of his day. Novarro appeared with Norma Shearer in The Student Prince in Old Heidelberg and with Joan Crawford in Across to Singapore. He made his first talking film, starring as a singing French soldier, in Devil-May-Care. He also starred with the French actress Renée Adorée in The Pagan. Novarro starred with Greta Garbo in Mata Hari and was a qualified success opposite Myrna Loy in The Barbarian. When Novarro’s contract with MGM Studios expired in 1935, the studio did not renew it. He continued to act sporadically, appearing in films for Republic Pictures, a Mexican religious drama, and a French comedy. In the 1940s, he had several small roles in American films, including John Huston’s We Were Strangers starring Jennifer Jones and John Garfield. In 1958, he was considered for a role in a television series, The Green Peacock with Howard Duff and Ida Lupino after the demise of their CBS sitcom Mr. Adams and Eve. The project, however, never materialized. A Broadway tryout was aborted in the 1960s; but Novarro kept busy on television, appearing in NBC’s The High Chaparral as late as 1968.