Carpenters or The Carpenters were a vocal and instrumental duo, consisting of siblings Karen and Richard Carpenter. The Carpenters were the #1 selling American music act of the 1970s. Though often referred to by the public as “The Carpenters”, the duo’s official name on authorized recordings and press materials is simply “Carpenters”, without the definite article. During a period in the 1970s when louder and wilder rock was in great demand, Richard and Karen produced a distinctively soft musical style that made them among the best-selling music artists of all time.

Carpenters’ melodic pop produced a record-breaking run of hit recordings on the American Top 40 and Adult Contemporary charts, and they became leading sellers in the soft rock, easy listening and adult contemporary genres. Carpenters had three #1 singles on the Billboard Hot 100 and fifteen #1 hits on the Adult Contemporary Chart. In addition, they had twelve top 10 singles. To date, Carpenters’ album and single sales total more than 100 million units.

During their 14-year career, the Carpenters recorded 11 albums, five of which contained top 10 singles, thirty-one singles, five television specials, and one short-lived television series. They toured in the United States, the United Kingdom, Japan, Australia, the Netherlands and Belgium. Their recording career ended with Karen’s death in 1983 from cardiac arrest due to complications of anorexia nervosa. Extensive news coverage of the circumstances surrounding her death increased public awareness of the consequences of eating disorders.

The Carpenter siblings were both born on Hall Street in New Haven, Connecticut to parents Harold and Agnes. Richard Lynn was born on October 15, 1946, and Karen Anne followed on March 2, 1950. Richard was a quiet child who spent most of his time in the house listening to records and playing the piano. Karen, on the other hand, seemed to be friendly and outgoing; she liked to play sports, including softball with the neighborhood kids, but she also spent a lot of time listening to music.

Wilfred Theodore Weems was a United States bandleader and musician.

Born in Pitcairn, Pennsylvania, Weems learned to play the violin and trombone. He attended the University of Pennsylvania, where he and his brother Art organized a small dance band. Going professional in 1923, Weems toured for the MCA Corporation, recording for Victor Records. Somebody Stole My Gal became the band’s first #1 hit in early 1924.

Weems was a Victor band from 1923 through 1933, although the final 3 sessions were released on Victor’s recently started-up Bluebird label. He then signed with Columbia for 2 sessions in 1934 and subsequently signed with Decca from 1936.

Weems moved to Chicago with his band around 1928. The Ted Weems Orchestra had more chart success in 1929 with the novelty song “Piccolo Pete”, and the #1 hit The Man from the South.

Teresa Brewer was an American pop singer whose style incorporated elements of country, jazz, R&B, musicals and novelty songs. She was one of the most prolific and popular female singers of the 1950s, recording nearly 600 songs. Born Theresa Breuer in Toledo, Ohio, Brewer died of a neuromuscular disease at her home in New Rochelle, N.Y. at the age of 76.

Teresa Brewer grew up in Toledo, Ohio, USA. Her father was an inspector of glass for the Libbey Owens Company ; her mother was a housewife. At the age of two, Theresa was taken by her mother to audition for a radio program, “Uncle August’s Kiddie Show” on Toledo’s WSPD.

She performed for cookies and cupcakes donated by the sponsor. Although she never took singing lessons, she took tap dancing lessons. From age five to twelve, she sang and danced on the “Major Bowes Amateur Hour,” then a popular touring radio show. Her aunt Mary traveled with Theresa until 1949, when Theresa married. She was devoted to her aunt, who shared Brewer’s home until her death in 1993.

At the age of 12, Theresa returned to Toledo and ceased touring in order to have a normal school life. She continued to perform on local radio. In January 1948, 16 year-old Theresa won a local competition and was sent to New York to appear on a talent show called “Stairway to the Stars”, featuring Eddie Dowling. It was at about that time that she changed the spelling of her name from Theresa Breuer to Teresa Brewer. She won a number of talent shows and played night clubs in New York .

Gordon Lee Beneke, professionally known as Tex Beneke, was an American saxophonist, singer, and bandleader. His career is a history of associations with bandleader Glenn Miller and former musicians and singers who worked with Miller. He also solos on the recording the Glenn Miller Orchestra made of their popular song, “In The Mood” and sings on another popular Glenn Miller recording, “Chattanooga Choo Choo”.

Beneke was born in Fort Worth, Texas. He started playing saxophone when he was nine, going from soprano to alto to tenor saxophones and staying with the latter. His first professional work was with bandleader Ben Young in 1935, but it was when he joined Miller three years later that his career hit its stride. Beneke said: “It seems that Gene Krupa had left the Goodman band and was forming his own first band. He was flying all over the country looking for new talent and he stopped at our ballroom one night. Gene wound up taking two or three of our boys with him back to New York. wanted to take but his sax section was already filled.” Krupa knew that Glenn Miller was forming a band and recommended Beneke to Miller.

On August 1, 1939, Tex Beneke solos on the recording the Glenn Miller band made of the Andy Razaf song, “In The Mood”. Beneke appears with the Miller band in the films Sun Valley Serenade and Orchestra Wives, both of which helped propel the singer/saxophonist to the top of the Metronome polls. Tex Beneke is listed in the personnel of the 1941 Metronome All-Star Band led by Benny Goodman. In 1942, Glenn Miller’s orchestra won the first Gold Record for “Chattanooga Choo Choo”, a song written by Harry Warren and Mack Gordon. The band first performed this song in the 1941 Twentieth Century Fox movie Sun Valley Serenade.” Tex Beneke was the lead singer on this song with Paula Kelly and the Modernaires vocal group. “Chattanooga Choo Choo”, catalogue number Bluebird 11230-B, was recorded by the Miller band at the Victor recording studios in Hollywood, California, May 7, 1941.

When Miller broke up the band in late 1942 to join the Army Air Force, Beneke played very briefly with Horace Heidt before joining the Navy himself, leading a Navy band in Oklahoma. While employed with Miller, Beneke was offered his own band, as Miller had done with colleagues and employees like Hal McIntyre, Claude Thornhill and Charlie Spivak. Beneke wanted to come back to Miller after the war and learn more about leading a band before being given his own band. Beneke lead two bands in the navy and kept in touch with Glenn Miller while they were both serving in the military. By 1945, Beneke felt ready to lead his own orchestra.

Terry Moore is an American actress. Born January 7, 1929, in Glendale, California, as Helen Luella Koford, Moore grew up in a Mormon family in Los Angeles, California. She worked as a child model before making her film debut in Maryland. Moore was billed as Judy Ford, Jan Ford, and January Ford before taking Terry Moore as her name in 1948.

Moore worked in radio in the 1940s, most memorably as Bumps Smith on The Smiths of Hollywood. Most of her films were B-pictures, but several were box office hits, including Mighty Joe Young, Come Back, Little Sheba – for which she was nominated for an Academy Award for Best Supporting Actress and Peyton Place. In 1962 she appeared as a rancher’s daughter in the NBC Western drama Empire, opposite Richard Egan and Ryan O’Neal. Moore has worked steadily throughout her career, usually in minor roles in small films. She appeared on the NBC interview program Here’s Hollywood.

Moore lived with Howard Hughes briefly in a small duplex or cabin at his Tule Springs Ranch near Las Vegas, Nevada. After he died in 1976, Moore claimed that they married secretly in 1949, and never divorced. She failed to provide any evidence of a marriage, but the Hughes’s estate paid her a settlement in 1984.