James Coburn

James Harrison Coburn, Jr. was an American film and television actor who appeared in nearly 70 films and made over 100 television appearances during his 45-year career. He played a wide range of roles and won an Academy Award for Best Supporting Actor as Glen Whitehouse in the film Affliction.

Coburn was born in Laurel, Nebraska, the son of Mylet S. and James Harrison Coburn, Sr., a garage mechanic. Coburn was of Scotch-Irish and Swedish descent. He was raised in Compton, California, attended Compton Junior College, and enlisted in the US Army in 1950, serving as an Army truck driver and also was an occasional disc jockey on an Army radio station in Texas. Coburn also narrated Army training films in Mainz, Germany. He attended Los Angeles City College, where he studied acting alongside Jeff Corey and Stella Adler, then made his stage debut at the La Jolla Playhouse in Billy Budd. Coburn was selected for a Remington Products razor commercial when he was able to shave off eleven days of beard growth in less than 60 seconds, while joking that he had more teeth to show on camera than the other 12 candidates for the part.

Coburn’s film debut came in 1959 as the sidekick to bad guy Pernell Roberts in the Randolph Scott western Ride Lonesome. He appeared in dozens of television roles including, with Roberts, several episodes of Bonanza. He and Ralph Taeger co-starred with Joi Lansing in Klondike on NBC in the 1960–1961 season. When Klondike, set in the Alaskan gold rush town of Skagway, was cancelled, Taeger and Coburn were regrouped as detectives in Mexico in NBC’s equally short-lived Acapulco.

Coburn became well known for his roles in the variety of action and western films in the 1960s and the 1970s, first primarily with Steve McQueen and Charles Bronson in two John Sturges films: The Magnificent Seven and The Great Escape. A villainous Texan in the hugely successful Charade, a glib naval officer in The Americanization of Emily and a character role as a one-armed Indian tracker in Major Dundee gained him much notice. In 1966, Coburn became a bona fide star with the release of Our Man Flint, a James Bond spoof released by 20th Century Fox. In 1971, he starred in the western film A Fistful of Dynamite, directed by Sergio Leone, as an Irish explosives expert and revolutionary who has fled to Mexico during the time of the Mexican Revolution in the early 20th Century. He teamed with director Sam Peckinpah for the 1973 film Pat Garrett & Billy the Kid. An MGM producer tried to sabotage the production, causing the film to be drastically edited when it opened. Peckinpah and Coburn were greatly disappointed and turned next to Cross of Iron, a critically acclaimed war epic which performed poorly in the U.S. but was a huge hit in Europe. The two remained close friends until the director’s death in 1984. In 1973, Coburn was one of the featured celebrities, dressed in prison gear on the cover of the album Band On The Run made by Paul McCartney and his band Wings.

James Cruze

James Cruze was a silent film actor and film director. He was born as Jens Vera Cruz Bosen. The Vera Cruz middle name came from the battle of Vera Cruz. He was raised in the The Church of Jesus Christ of Latter-day Saints, but did not practice the religion after his teenage years. Very little is certain about his childhood and teen years because he told a different story at every interview he granted.

Cruze acted, directed and or produced in over 100 films mainly during the silent film era. His first known acting job was at Lubin Manufacturing Company in 1910. He started at Thanhouser Company in 1912 which is where the majority of his body of work was produced, much of it as the leading man. He married the actress Marguerite Snow in 1913 and had a daughter by her in 1914. They divorced in 1922.

After leaving Thanhouser in 1916, he worked for several other companies as director and producer, primarily for Paramount Pictures, from 1918 to 1938. He married the actress Betty Compson in 1924 and they divorced in 1930. He married Alberta McCoy on 30 June 1941. McCoy survived him, and died in Hollywood on 7 July 1960.

As Director

James Dean

James Byron Dean was an American film actor. He is a cultural icon best embodied in the title of his most celebrated film, Rebel Without a Cause, in which he starred as troubled Los Angeles teenager Jim Stark. The other two roles that defined his stardom were as loner Cal Trask in East of Eden, and as the surly farmer Jett Rink in Giant. Dean’s enduring fame and popularity rests on only these three films, his entire output in a starring role. His death in a car crash at an early age cemented his legendary status.

He was the first actor to receive a posthumous Academy Award nomination for Best Actor and remains the only person to have two posthumous acting nominations. In 1999, the American Film Institute ranked Dean the 18th best male movie star on their AFI’s 100 Years?100 Stars list.

James Dean was born on February 8, 1931, at the Seven Gables apartment house in Marion, Indiana to Winton Dean and Mildred Wilson. Six years after his father had left farming to become a dental technician, James and his family moved to Santa Monica, California. The family spent several years there, and by all accounts young Jimmy was very close to his mother. According to Michael DeAngelis, she was “the only person capable of understanding him”. He was enrolled at Brentwood Public School in the Brentwood neighborhood of Los Angeles until his mother died of cancer when Dean was nine years old.

Unable to care for his son, Winton Dean sent James to live with Winton’s sister Ortense and her husband Marcus Winslow on a farm in Fairmount, Indiana, where he was raised in a Quaker background. Dean sought the counsel and friendship of Methodist pastor Rev. James DeWeerd. DeWeerd seemed to have had a formative influence upon Dean, especially upon his future interests in bullfighting, car racing, and the theater. According to Billy J. Harbin, “Dean had an intimate relationship with his pastor. which began in his senior year of high school and endured for many years.” In high school, Dean’s overall performance was mediocre, however was a popular school athlete having successfully played on the baseball and basketball teams and studied drama and competed in forensics through the Indiana High School Forensic Association. After graduating from Fairmount High School on May 16, 1949, Dean moved back to California with his beagle, Max, to live with his father and stepmother. He enrolled in Santa Monica College and majored in pre-law. Dean transferred to UCLA and changed his major to drama, which resulted in estrangement from his father. He pledged the Sigma Nu fraternity but was never initiated. While at UCLA, he beat out 350 actors to land the role of Malcolm in Macbeth. At that time, he also began acting with James Whitmore’s acting workshop. In January 1951, he dropped out of UCLA to pursue a full-time career as an actor.

James Doohan

James Montgomery "Jimmy" Doohan was an Irish-Canadian character and voice actor best known for his role as Montgomery "Scotty" Scott in the television and film series Star Trek. Doohan's characterization of the Scottish Chief Engineer of the Starship Enterprise was one of the most recognizable elements in the Star Trek franchise, for which he also made several contributions. Many of the characterizations, mannerisms, and expressions that he established for Scotty and other Star Trek characters have become entrenched in popular culture.

Following his success with Star Trek, he supplemented his income and showed continued support for his fans by making numerous public appearances. Doohan often went to great lengths to buoy the large number of fans who have been inspired to make their own accomplishments in engineering and other fields, as a result of Doohan's work and his encouragement.

Doohan, was born in Vancouver, British Columbia, the youngest of four children of William and Sarah Doohan, who emigrated from Bangor, County Down, Northern Ireland. His father was a pharmacist, veterinarian, and dentist; his mother was a homemaker. Doohan's father reportedly invented an early form of high-octane gasoline in 1923. In Doohan's 1996 autobiography, he tells of his father's alcoholism and how he tormented his family. The family moved to Sarnia, Ontario, and Doohan attended high school at the Sarnia Collegiate Institute and Technical School, where he excelled in mathematics and science. Doohan also enrolled in the 102nd Royal Canadian Army Cadet Corps.

At the beginning of the Second World War, Doohan joined the Royal Canadian Artillery. He was commissioned a lieutenant in the 13th Field Artillery Regiment of the 3rd Canadian Infantry Division. Doohan went to the United Kingdom in 1940 for training. His first combat was the invasion of Normandy at Juno Beach on D-Day. Shooting two snipers, Doohan led his men to higher ground through a field of anti-tank mines, where they took defensive positions for the night. Crossing between command posts at 11:30 that night, Doohan was hit by six rounds fired from a Bren gun by a nervous Canadian sentry: four in his leg, one in the chest, and one through his right middle finger. The bullet to his chest was stopped by a silver cigarette case. His right middle finger had to be amputated, something he would conceal during his career as an actor.

Jackie Coogan

John Leslie “Jackie” Coogan, Jr. was an American actor who began his movie career as a child actor in silent films. Many years later, he became known as Uncle Fester on 1960s sitcom The Addams Family. In the interim, he sued his mother and stepfather over his squandered film earnings and provoked California to enact the first known legal protection for the earnings of child performers.

Jackie Coogan was born in Los Angeles, California, to John Henry Coogan, Jr., the son of John Henry Coogan, Sr., and Lilian Rita Dolliver Coogan. He began his acting career as an infant in both vaudeville and film, with an uncredited role in the 1917 film Skinner’s Baby. Charlie Chaplin discovered him in the Orpheum Theatre, Los Angeles, a vaudeville house, doing the shimmy, a popular dance at the time, on the stage. His father, Jack Coogan, Sr. was also an actor. The boy was a natural mimic, and delighted Chaplin with his abilities in this area. As a child actor, he is best remembered for his role as Charlie Chaplin’s irascible sidekick in the film classic The Kid and for the title role in Oliver Twist, directed by Frank Lloyd, the following year. He was also one of the first stars to be heavily merchandised, with peanut butter, stationery, whistles, dolls, records, and figurines just a sample of Coogan merchandise on offer. He also traveled internationally, to be received by huge crowds. Many of his early films are lost or unavailable, but Turner Classic Movies recently presented The Rag Man with a new score. Coogan was famous for his pageboy haircut and his The Kid outfit of oversize overalls and cap, which was widely imitated, including by the young Scotty Beckett in the Our Gang films.

He was tutored until the age of ten, after which he attended Urban Military Academy and other prep schools, and then several colleges, including the University of Southern California. In 1932 he left Santa Clara University because of poor grades.

On May 4, 1935, Coogan was the sole survivor of a car crash in San Diego County that claimed the life of his father, and his best friend Junior Durkin, a child actor best known as Huckleberry Finn in two films of the early 1930s. The accident took place just short of Coogan’s twenty-first birthday.

Jackie Cooper

Jackie Cooper is an American actor, TV director, TV producer and executive. He was a child actor who managed to transition to an adult career. As of 2010, Cooper’s Oscar-nominated performance in Skippy is the earliest nomination in any Academy Award category in which the nominee is still living. He is also the youngest performer to be nominated in a leading role in the Academy’s entire history.

Cooper was born John Cooper, Jr. in Los Angeles, California. Cooper was an illegitimate child, and his father, John Cooper, left the family when Jackie was two years old. His mother, Mabel Leonard Bigelow, was a stage pianist and former child actress. Cooper’s maternal uncle, Jack Leonard, was a screenwriter, and his maternal aunt, Julie Leonard, was an actress married to director Norman Taurog. Cooper’s stepfather was C. J. Bigelow, a studio production manager. His mother was Italian American and his father was Jewish.

Cooper first appeared in films as an extra with his grandmother, who would bring him along in hopes of aiding her own attempts to get extra work. At age three, Jackie appeared in Lloyd Hamilton comedies under the name of Leonard. He graduated to bits in feature films such as Fox Movietone Follies of 1929 and Sunny Side Up. His director in these two films, David Butler, recommended the boy to director Leo McCarey, who arranged an audition for the Our Gang comedy series produced by Hal Roach. Cooper joined the Gang youngsters in the short Boxing Gloves in 1929. He was signed to a three year contract. He initially was only a supporting character in the series, but by early 1930 he had done so well with the transition to sound films that he had become one of the Gang’s major characters. He was the main character in the episodes The First Seven Years, When the Wind Blows, and others. His most notable Our Gang shorts explore his crush on Miss Crabtree, the schoolteacher played by June Marlowe, which included the trilogy of shorts Teacher’s Pet, School’s Out, and Love Business.

According to his autobiography, Cooper, under contract to Hal Roach Studios, was loaned in the spring of 1931 to Paramount to star in Skippy, for which he was nominated for the Academy Award for Best Actor?the youngest actor ever to be nominated for an Oscar as Best Actor. Although Paramount paid Roach $25,000 for Cooper’s services, Cooper received only his standard Roach salary of $50 per week.

Jackie Gleason

Jackie Gleason was an American comedian, actor and musician. He was known for his brash visual and verbal comedy style, especially by his character Ralph Kramden on The Honeymooners, a situation-comedy television series. His most noted film roles were as Minnesota Fats in the drama film The Hustler starring Paul Newman, and as Buford T. Justice in the Smokey and the Bandit movie series.

Gleason was born at 364 Chauncey Street in Bedford-Stuyvesant, Brooklyn, New York. Originally named Herbert Walton Gleason, Jr., he was baptized as John Herbert Gleason. His parents, both from Faranree, County Cork, Ireland, were Mae Murphy, a subway change-booth attendant, and Herb Gleason, an insurance auditor. Gleason was one of their two children. Gleason’s brother died when he was young, and his father abandoned the family. He attended elementary school at P.S. 73 in Brooklyn. He attended but did not graduate from John Adams High School in Queens and Bushwick High School in Brooklyn. Gleason was raised by his mother, who died when he was 19.

By age 24, Gleason was appearing in movies, first at Warner Brothers as Jackie C. Gleason in such films as Navy Blues with Ann Sheridan and Martha Raye and All Through the Night with Humphrey Bogart; then at Columbia Pictures for the B military comedy Tramp, Tramp, Tramp ; and finally, at Twentieth Century-Fox, where Gleason played the Glenn Miller band’s bassist in Orchestra Wives. Gleason also had a small part as the soda shop clerk in Larceny, Inc. with Edward G. Robinson, and a modest part as “Commissioner” in the 1942 Betty Grable/Harry James musical, Springtime in the Rockies.

Gleason, however, did not make a strong impression in Hollywood at first. At the same time, he developed a nightclub act that included both comedy and music. He also became somewhat known for hosting all-night parties at his hotel suite. “Anyone who knew Jackie Gleason in the 1940s,” wrote CBS historian Robert Metz, “would tell you The Fat Man would never make it. His pals at Lindy’s watched him spend money as fast as he soaked up the booze.” Gleason’s first recognition as a significant entertainer finally came on Broadway, when he appeared in the hit musical Follow the Girls .

Jaclyn Smith

Jaclyn Ellen Smith is an American actress. She is best known for the role of Kelly Garrett in the television series Charlie’s Angels, and was the only original female lead to remain with the series for its complete run. She became a well known face on television starring in over thirty made for TV movies and more recently was the hostess of Bravo’s weekly competitive reality television show Shear Genius for its first two seasons. Beginning in the 1980s, she began developing and marketing her own brands of clothing and perfume. She has often been voted one of the most beautiful women in the world.

Smith was born in Houston, Texas, the daughter of Margaret Ellen and Jack Smith, a dentist. She attended Trinity University in San Antonio.

After college she moved to New York City with hopes of dancing with the ballet. Her career aspirations shifted to modeling and acting as she found work in television commercials and print ads, including one for Listerene mouthwash. She landed a job as a “Breck girl” for Breck Shampoo in 1971, and a few years later joined another popular model/actress, Farrah Fawcett, as a spokesmodel for Wella Balsam shampoo.

On March 21, 1976, the first appearance of Smith playing the character Kelly Garrett in Charlie’s Angels was aired as a movie of the week. The movie starred Kate Jackson, Farrah Fawcett and Smith as private investigators for Townsend Associates, a detective agency run by a reclusive multi-millionaire whom the women had never met. Voiced by John Forsythe, the Charles Townsend character presented cases and dispensed advice via a speakerphone to his core team of three female employees, to whom he referred as “Angels.” They were aided in the office and occasionally in the field by two male associates, played by character actors David Doyle and David Ogden Stiers. The program earned a huge Nielsen rating, causing the network to air it a second time and okay production for a series, with all of the principal characters save the one played by Stiers.

Jaime Jarrin

Jaime Jarrin is the Spanish language voice of the Los Angeles Dodgers. He began broadcasting for the Dodgers in 1959, and was the 1998 recipient of the Ford C. Frick Award from the Baseball Hall of Fame. One of the most recognizable voices in Hispanic broadcasting, Jarrin, “the Spanish Voice of the Dodgers” is also heard on FSN Prime Ticket’s SAP channel. Jarrin is known for his beautiful voice and fantastic trilling of “R”s in Spanish. Jarrin’s broadcasts are listened to by Spanish speakers both at home and in the ballpark.

Born in Cayambe, Ecuador, Jarrin began work as a broadcaster in his home country when he was just 16 years old. He went on to become the announcer for the National Congress of Ecuador. He came to the United States on June 24, 1955. At the time, he had never seen a baseball game.

When the Dodgers moved to Los Angeles in 1958, KWKW, where Jarrin was the news and sports director, picked up the Spanish language rights for the games. For the first six-plus years, the Spanish language announcers did not travel with the team, and would recreate the games on radio while listening to the English-language broadcast in a studio. In 1973, after 14 years with the Dodgers, Jarrin became the club?s No. 1 Spanish language broadcaster.

From 1962 to 1984, Jarrín never missed a game, calling close to 4,000 games over 22 seasons. The streak was broken only when he took charge of all the Spanish-language radio coverage and production for the 1984 Olympic Games in Los Angeles.

James A. Fitzpatrick

James A. Fitzpatrick was a movie producer, director, writer, and narrator, best remembered for making documentaries. After completing training in dramatic arts, he worked, for a while, as a journalist. In 1925, he entered in films by filming travel documentaries for British and American viewers.http://ftvdb.bfi.org.uk/sift/individual/5088 http://www.imdb.com/name/nm0280534/ MGM distributed the series under the umbrella titles “Fitzpatrick Traveltalks” and “The Voice of the Globe”. For Paramount, he produced “Vistavision Visits”. Many of the movies were in Technicolor. These brief documentaries are often shown on Turner Classic Movies.