John Love Boles was an American actor. Boles was born in Greenville, Texas, into a middle-class family. He graduated with honors from the University of Texas in 1917 and married Marielite Dobbs in that same year. His parents wanted him to be a doctor and Boles studied and finally got his B.A. degree, but the stage called. John Boles preferred acting and singing, and he demonstrated talents for them from an early age and this won him a place alongside Gloria Swanson when she chose him to play in film with her. During World War I, he was a US spy in Germany, Bulgaria, and Turkey.

He started out in Hollywood in the silent movie era, but became a huge star with the advent of talkies. After the war, Boles moved to New York to study music. He quickly became well-known for his talents and was selected to play the leading man in the 1923 Broadway musical Little Jesse James. He became an established star on Broadway and attracted the attention of Hollywood producers and actors.

He was hired by MGM to appear in a silent film in 1924. He starred in two more films for that studio before returning to New York and the stage. In 1927, he returned to Hollywood to star in The Love of Sunya opposite Gloria Swanson, which was a huge success for him. Unfortunately, because the movies were still silent he was unable to show off his singing ability until late in the decade. In 1929, the Warner Brothers hired him to star in their lavish musical operetta The Desert Song. This film featured sequences in Technicolor and was a box-office success. Soon after, Radio Pictures selected him to play the leading man in their extravagant production of Rio Rita, opposite Bebe Daniels. Audiences were enthralled by his beautiful voice, and John Boles suddenly found himself in huge demand. RCA Victor even hired him to make phonograph records of songs that he had sung in his films.

As soon as Rio Rita was completed, Boles went back to Warner Brothers as the leading man in an even more extravagant musical entitled Song of the West that was filmed entirely in Technicolor. Shortly after this film, Universal Pictures offered John Boles a contract, which he accepted. He starred in a number of pictures for them, most notably the all-Technicolor musical revue entitled The King of Jazz and a historical operetta entitled Captain of the Guard. In 1931, he starred in One Heavenly Night, which would prove to be his last major musical.

John Bunny was an American actor and the first comic star of the early American silent film era.

Born in New York City, Bunny was raised in Brooklyn where he attended high school and worked as a grocery clerk before joining a small minstrel show touring the East Coast. He went on to jobs as stage manager for various stock companies and performed in vaudeville before being drawn to the fledgling motion picture business. By 1910, Bunny was working at Vitagraph Studios where the happy-go-lucky, rotund man quickly became an international star of silent film comedies. At Vitagraph he starred in a series of over one hundred popular comedies with the comedian Flora Finch that were popularly called “Bunnyfinches”.

The popularity of Bunny can be attributed to the succulent fun of the music hall and the circus, not the dry wit of sophisticated comedies. He was jolly, boisterous, and broad in his acting, and because of this style, he connected strongly with early nickelodeon audiences.

In a 1913 interview in Motion Picture Acting by Francis Agnew, he prophetically mused,

Joseph Evans Brown was an American actor and comedian, remembered for his amiable screen persona, comic timing, and enormous smile. In 1902 at the age of nine, he joined a troupe of circus tumblers known as the Five Marvellous Astons which toured the country on both the circus and vaudeville circuits. Later he became a professional baseball player. After three seasons he returned to the circus, then went into Vaudeville and finally starred on Broadway. He gradually added comedy into his act and transformed himself into a comedian. He moved to Broadway in the 1920s first appearing in the musical comedy Jim Jam Jems.

In late 1928, Brown began making films, starting the next year with Warner Bros. He quickly shot to stardom after appearing in the first all-color all-talking musical comedy On with the Show. He starred in a number of lavish Technicolor Warner Brothers musical comedies including: Sally, Hold Everything, and Song of the West. By 1931, Joe E. Brown had become such a star that his name began to appear alone above the title of the movies in which he appeared.

He followed in Fireman, Save My Child, a comedy in which he played a member of the St. Louis Cardinals, with Elmer, the Great with Patricia Ellis and Claire Dodd, and Alibi Ike with Olivia de Havilland, in both of which he portrayed ballplayers with the Chicago Cubs.

In 1933 he starred in Son of a Sailor with Jean Muir and Thelma Todd. In 1934, Brown starred in A Very Honorable Guy with Alice White and Robert Barrat, and in The Circus Clown again with Patricia Ellis and with Dorothy Burgess and with Maxine Doyle in Six-Day Bike Rider. Brown was one of the few vaudeville comedians to appear in a Shakespeare film; he played Francis Flute in the Max Reinhardt/William Dieterle film version of Shakespeare’s A Midsummer Night’s Dream, and was highly praised for his performance. The following year saw Polo Joe with Carol Hughes and Richard “Skeets” Gallagher, and Sons O’ Guns. In 1933 and 1936, he managed to become one of the top ten earners in films. He was sufficiently well known internationally by this point to be depicted in comic strips in the British comic Film Fun for twenty years from 1933.