Mace Alvin Neufeld is an American film and television producer.

Neufeld was born in New York City, New York, the son of Margaret Ruth and Philip M. Neufeld, a stockbroker. He married on 28 February 1954. He has three children, the eldest son Bradley David, Glenn Jeremy and daughter Nancy Ann.

Neufeld began as an amateur photographer in his teens; his first snapshot, a returning World War II veteran, “Sammy’s Home”, was widely syndicated and won an award from The New York World Telegram-Sun. He first ventured into the television business when he got a job with the DuMont Television Network. Within a few years Neufeld then formed his own independent television production company and personal management firm which over the years had promoted such popular comedians as Don Adams, Gabe Kaplan and Don Knotts. Not only comedians worked under Neufeld, but musical talents as well, including The Captain and Tennille, The Carpenters, Randy Newman, and Jim Croce.

Neufeld also showed his own talent in showcasing performers, writing musical material for the likes of music stars such as Rosemary Clooney, Sammy Davis Jr., Dorothy Loudon and The Ritz Brothers. He also wrote the theme song for the popular animated antics of the two crows showcased in The Heckle and Jeckle Show.

Mack Sennett was a Canadian-born American director and was known as the innovator of slapstick comedy in film. During his lifetime he was known at times as the “King of Comedy”. His short “Wrestling Swordfish” was awarded the Academy Award for Best Live Action Short Film in 1932 and he earned an Academy Honorary Award in 1937.

Born as Mikall Sinnott in Danville, Quebec, Canada, the son of Irish Catholic immigrant farmers. His father was a blacksmith in the small Eastern Townships village. When he was 17 years old his family moved to Connecticut.

The family lived for a time in Northampton, Massachusetts, where, according to his autobiography, Sennett first got the idea to go on stage after seeing a vaudeville show. He claimed that the most respected lawyer in town, Northampton mayor Calvin Coolidge, as well as Sennett’s own mother, tried to talk him out of his theatrical ambitions.

In New York City, Sennett became an actor, singer, dancer, clown, set designer and director for Biograph. A major distinction in his acting career, often overlooked, is the fact that Sennett played Sherlock Holmes 11 times, albeit in a parodic format, between 1911 and 1913.

Mack Swain was an American actor and vaudevillian, prolific throughout the 1910s, 1920s and 1930s.

Born Moroni Swain to Robert Henry Swain and Mary Ingeborg Jensen in Salt Lake City, Utah, he worked in vaudeville before starting in silent film at Keystone Studios under Mack Sennett. While with Keystone, he was teamed up with Chester Conklin to make a series of comedy films. With Swain as “Ambrose” and Conklin as the grand mustachioed “Walrus”, they performed these roles in several films including “The Battle of Ambrose and Walrus” and “Love, Speed and Thrills,” both made in 1915. Besides these comedies, the two appeared together in a variety of other films, twenty-six all told.

In 1921, Swain began working with Charlie Chaplin at First National, appearing in “The Idle Class”, “Pay Day” and “The Pilgrim”. He is also remembered for his role as Big Jim McKay in the 1925 film The Gold Rush, for United Artists, written by and starring Chaplin.

Madge Bellamy was an American film actress who was a popular leading lady in the 1920s and early 1930s. Her career declined in the sound era, and ended following a romantic scandal in the 1940s.

Madge Bellamy was born in Hillsboro, Texas in 1899 as Margaret Derden Philpott to William Bledsoe Philpott, a professor of English and Annie Margaret Derden. The family was of English and Irish heritage. Her father was an 1884 graduate of Texas A&M University. Besides teaching English, he taught history and languages, and he also edited many scholarly works. Her parents were married on June 22, 1898 in Hillsboro, Hill County, Texas. Bellamy was raised in San Antonio, Texas until she was 6 years old, and the family later moved to Brownwood, Texas, where her father taught at the local college. When she was 10 years old, the Philpotts moved to Denver, Colorado. Bellamy caught the acting bug as a young girl, and she soon appeared in several plays as a youth.

She ran away to New York City at age 17, and she was soon working as an actor and dancer on Broadway. In 1918, she played the lead role in “Pollyanna” on Broadway and in the touring show. She also appeared in “Dear Brutus”, “Dream Girl”, and in “Peg O’ My Heart on Broadway”. In November 1920, she signed an exclusive contract with Thomas H. Ince’s newly formed Triangle film company to appear in the film called “Passing Thru” which was released in the fall of 1921.

Bellamy made her film debut in 1920. After 4 years with Famous Players her contract was picked up by Fox Film Corporation. Her best known films include Love Never Dies, Lorna Doone, and The Iron Horse .

Mötley Crüe is an American hard rock band formed in Los Angeles, California in 1981. The band was founded by bass guitarist Nikki Sixx and drummer Tommy Lee, who were later joined by lead guitarist Mick Mars and lead singer Vince Neil. Mötley Crüe has sold more than 80 million album copies worldwide, with 25 million in the U.S.

The band members have often been noted for their hard-living lifestyles, and the persona they maintained. All members have had numerous brushes with the law, spent time in jail, suffered from alcoholism, long addictions to drugs, had countless escapades with women, and are heavily tattooed. Their ninth studio album, Saints of Los Angeles, was released on June 24, 2008, while a film adaptation of their best-selling autobiography, The Dirt, is due to be released in 2011.

Mötley Crüe was formed on January 17, 1981 when bass guitarist Nikki Sixx left the band London and began rehearsing with drummer Tommy Lee and vocalist/guitarist Greg Leon. Lee had worked previously with Leon in a band called Suite 19 and the trio practiced together for some time with Leon eventually deciding not to continue. Nikki and Tommy then began a search for new members. Sixx and Lee soon met guitarist Bob “Mick Mars” Deal. Mars was quickly auditioned and subsequently hired by Sixx and Lee. Although a lead vocalist named O’Dean was auditioned, Lee had known Vince Neil from their high school days at Royal Oak High School in Covina, California and the two had performed in different bands on the garage band circuit. On seeing him perform with the band Rock Candy at the Starwood in Hollywood, California, Mars suggested they have Neil join the band. At first Neil refused the offer, but as the other members of Rock Candy became involved in outside projects, Neil grew anxious to try something else. When Lee made one final appeal to audition, Neil accepted and was hired. The newly formed band did not yet have a name. While trying to find a suitable name, Mars remembered an incident which occurred when he was playing with a band called White Horse, when one of the other band members called the group “a motley looking crew.” He had remembered the phrase and later copied it down as Mottley Cru-. After modifying the spelling slightly, “Mötley Crüe” was eventually selected as the band’s name, with the stylistic decision suggested by Neil to add the two sets of metal umlauts supposedly inspired by the German beer Löwenbräu, which the members were drinking at the time.

The band soon met their first manager, Allan Coffman, “the thirty-eight-year-old brother-in-law of Mick?s driver friend Stick”. The band’s first release was the single “Stick to Your Guns/Toast of the Town”, which was released on their own record label, Leathür Records, which had a pressing & distribution deal with Greenworld Distribution in Torrance, California. In November 1981, their debut album Too Fast for Love was self-produced and released on Leathür, selling 20,000 copies. Coffman’s assistant Eric Greif set up a tour of Canada, while Coffman and Greif used Mötley Crüe’s success in the Los Angeles club scene to negotiate with several record labels, eventually signing a recording contract with Elektra Records in late spring 1982. At Elektra’s insistence, the debut album was then re-mixed by producer Roy Thomas Baker and re-released on August 20, 1982, two months after its Canadian Warner Music Group release using the original Leathür mixes, to coincide with the tour.