Star Facts
  • Category Recording

    Address 6340 Hollywood Blvd.

    Ceremony date 02/08/1960

About
Stan Kenton
Born:
1911-12-15,
Wichita,
Kansas,
USA
Education:
Bell High School, CA
Ethnicity:
Caucasian
Death Date:
-0001-11-30
Addition Websites

Stan Kenton

Stanley Newcomb Kenton was a pianist, composer, and arranger who led a highly innovative, influential, and often controversial American jazz orchestra. In later years he was widely active as an educator.

Stan Kenton was born in Wichita, Kansas, and raised first in Colorado, then in California. He learned piano as a child, and while still a teenager toured with various bands. He attended Bell High School, in Bell, California, where he graduated in 1930. In June 1941 he formed his own band, which developed into one of the best-known West Coast ensembles of the 1940s. In the mid-1940s, Kenton’s band and style became known as “The Wall of Sound”, a tag later used by Phil Spector.

Kenton played in the 1930s in the dance bands of Vido Musso and Gus Arnheim, but his natural inclination was as a band leader. In 1941 he formed his first orchestra, which later was named after his theme song “Artistry in Rhythm”. A competent pianist, influenced by Earl Hines, Kenton was much more important in the early days as an arranger and inspiration for his loyal sidemen. Although there were no major names in his first band, Kenton spent the summer of 1941 playing regularly before a very appreciative audience at the Rendezvous Ballroom in Balboa Beach, CA. Influenced by Jimmie Lunceford, the Stan Kenton Orchestra struggled a bit after its initial success. Its Decca recordings were not big sellers and a stint as Bob Hope’s backup radio band was an unhappy experience; Les Brown permanently took Kenton’s place.

By late 1943 with a Capitol Records contract, a popular record in “Eager Beaver”, and growing recognition, the Stan Kenton Orchestra was gradually catching on. Its soloists during the war years included Art Pepper, briefly Stan Getz, altoist Boots Mussulli, and singer Anita O’Day. By 1945 the band had evolved quite a bit. Pete Rugolo became the chief arranger, Bob Cooper and Vido Musso offered very different tenor styles, and June Christy was Kenton’s new singer; her hits made it possible for Kenton to finance his more ambitious projects. A popular recording of “Laura” was made, the theme song from the film Laura, and featured the voices of the band.

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