Lupe Vélez

Lupe Vélez was a Mexican film actress. Vélez began her career in Mexico as a dancer, before moving to the U.S. where she worked in vaudeville. She was seen by Fanny Brice who promoted her, and Vélez soon entered films, making her first appearance in 1924. By the end of the decade she had progressed to leading roles. With the advent of talking pictures Vélez acted in comedies, but she became disappointed with her film career, and moved to New York where she worked in Broadway productions.

Returning to Hollywood in 1939, she made a series of comedies. She also made some films in Mexico. Vélez’s personal life was often difficult; a five year marriage to Johnny Weissmuller and a series of romances, were highly publicized. Vélez committed suicide in 1944. She is often associated with the nicknames “The Mexican Spitfire” and “The Hot Pepper”.

Vélez was born María Guadalupe Villalobos Vélez in the city of San Luis Potosí in Mexico, the daughter of an army officer and his wife, an opera singer, both from prominent families in the state of San Luis Potosí. Because at that time becoming an artist and coming from a well-to-do family was seen as embarrassing, her father refused to let her use his last name in theater, so she used her mother’s surname. Lupe was educated at a convent school in Texas. From an early age, she had a strong temper and an explosive personality. She took dancing lessons and in 1924, made her performing debut at the Teatro Principal in Mexico City. In 1923 she moved to Texas, where she began dancing in vaudeville shows and finding work as a sales assistant. She moved to California, where she met the comedienne Fanny Brice, who promoted her career as a dancer. In 1924 she was first cast in movies by Hal Roach.

Vélez’s first feature-length film was The Gaucho starring Douglas Fairbanks. The next year, she was named one of the WAMPAS Baby Stars, the young starlets deemed to be most promising for movie stardom. Most of her early films cast her in exotic or ethnic roles .

Lurene Tuttle

Lurene Tuttle was a character actress, who made transitions from vaudeville to radio, to films and television. Her most enduring impact was as one of network radio’s most versatile actresses. Often appearing in 15 shows a week, comedies, dramas, thrillers, soap operas, and crime dramas, and back she became known as the First Lady of Radio.

She became interested in acting after her family moved to Southern California, appearing in Pasadena Playhouse productions before joining the vaudeville troupe, Murphy’s Comedians. By the Great Depression, Tuttle had put her remarkable vocal versatility to work in radio, and within a decade she became one of the most in-demand actresses in the medium.

On radio’s The Adventures of Sam Spade she played just about every female role, as well as Spade’s man-hungry secretary Effie Perrine. She appeared in such shows as The Adventures of Ozzie and Harriet, a role that testified to her vocal versatility: she played Harriet Nelson’s on-air mother at a time when she played, concurrently, a young adult onThe Great Gildersleeve as the niece Marjorie Forrester, a character 20 years her junior. Tuttle also had regular roles in such shows as Brenthouse, Dr. Christian, Duffy’s Tavern, One Man’s Family, The Red Skelton Show, Hollywood Hotel and the soap opera Those We Love.

She made numerous guest appearances on such shows as Dragnet, Lux Radio Theater, The Screen Guild Theater and Suspense. In The Whistler she played good and evil twins and used separate microphones to stay in character for each twin.

Lynn Bari

Lynn Bari, born Margaret Schuyler Fisher, was a movie actress who specialized in playing sultry, statuesque man-killers in over one hundred 20th Century Fox films from the early 1930s through the 1940s.

Born in Roanoke, Virginia, most of her early films, before getting supporting parts, were uncredited roles usually playing receptionists or chorus girls.

Bari’s rare leading roles include China Girl, Hello, Frisco, Hello, and The Spiritualist. However, in the B movies she was in, Lynn was usually cast as a villainess. Some examples include the films Shock and Nocturne. Notable exceptions to this general theme was The Bridge of San Luis Rey. Lynn Bari’s last film appearance was as the mother of rebellious teenager Patty McCormack in The Young Runaways .

Mötley Crüe

Mötley Crüe is an American hard rock band formed in Los Angeles, California in 1981. The band was founded by bass guitarist Nikki Sixx and drummer Tommy Lee, who were later joined by lead guitarist Mick Mars and lead singer Vince Neil. Mötley Crüe has sold more than 80 million album copies worldwide, with 25 million in the U.S.

The band members have often been noted for their hard-living lifestyles, and the persona they maintained. All members have had numerous brushes with the law, spent time in jail, suffered from alcoholism, long addictions to drugs, had countless escapades with women, and are heavily tattooed. Their ninth studio album, Saints of Los Angeles, was released on June 24, 2008, while a film adaptation of their best-selling autobiography, The Dirt, is due to be released in 2011.

Mötley Crüe was formed on January 17, 1981 when bass guitarist Nikki Sixx left the band London and began rehearsing with drummer Tommy Lee and vocalist/guitarist Greg Leon. Lee had worked previously with Leon in a band called Suite 19 and the trio practiced together for some time with Leon eventually deciding not to continue. Nikki and Tommy then began a search for new members. Sixx and Lee soon met guitarist Bob “Mick Mars” Deal. Mars was quickly auditioned and subsequently hired by Sixx and Lee. Although a lead vocalist named O’Dean was auditioned, Lee had known Vince Neil from their high school days at Royal Oak High School in Covina, California and the two had performed in different bands on the garage band circuit. On seeing him perform with the band Rock Candy at the Starwood in Hollywood, California, Mars suggested they have Neil join the band. At first Neil refused the offer, but as the other members of Rock Candy became involved in outside projects, Neil grew anxious to try something else. When Lee made one final appeal to audition, Neil accepted and was hired. The newly formed band did not yet have a name. While trying to find a suitable name, Mars remembered an incident which occurred when he was playing with a band called White Horse, when one of the other band members called the group “a motley looking crew.” He had remembered the phrase and later copied it down as Mottley Cru-. After modifying the spelling slightly, “Mötley Crüe” was eventually selected as the band’s name, with the stylistic decision suggested by Neil to add the two sets of metal umlauts supposedly inspired by the German beer Löwenbräu, which the members were drinking at the time.

The band soon met their first manager, Allan Coffman, “the thirty-eight-year-old brother-in-law of Mick?s driver friend Stick”. The band’s first release was the single “Stick to Your Guns/Toast of the Town”, which was released on their own record label, Leathür Records, which had a pressing & distribution deal with Greenworld Distribution in Torrance, California. In November 1981, their debut album Too Fast for Love was self-produced and released on Leathür, selling 20,000 copies. Coffman’s assistant Eric Greif set up a tour of Canada, while Coffman and Greif used Mötley Crüe’s success in the Los Angeles club scene to negotiate with several record labels, eventually signing a recording contract with Elektra Records in late spring 1982. At Elektra’s insistence, the debut album was then re-mixed by producer Roy Thomas Baker and re-released on August 20, 1982, two months after its Canadian Warner Music Group release using the original Leathür mixes, to coincide with the tour.

Mabel Normand

Mabel Normand was an American silent film comedienne and actress. She was a popular star of Mack Sennett’s Keystone Studios and is noted as one of the film industry’s first female screenwriters, producers and directors. Onscreen she co-starred in commercially successful films with Charlie Chaplin and Roscoe Arbuckle, occasionally writing and directing movies featuring Chaplin. At the height of her career in the late 1910s and early 1920s, Normand had her own movie studio and production company.

Throughout the 1920s her name was linked with widely publicized scandals including the 1922 murder of William Desmond Taylor and the 1924 shooting of Courtland S. Dines, who was shot by Normand’s chauffeur with her pistol. She was not a suspect in either crime. Her film career declined, possibly due to both scandals and a recurrence of tuberculosis in 1923, which led to a decline in her health, retirement from films and her death in 1930.

Born Mabel Ethelreid Normand in New Brighton, Staten Island, New York, she grew up in extreme poverty. Her father, Claude Normand, was sporadically employed as a carpenter at Sailors’ Snug Harbor home for elderly seamen. Before she entered films at age 16 in 1909, Normand worked as an artist’s model, which included posing for postcards illustrated by Charles Dana Gibson, creator of the Gibson Girl image. She met director Mack Sennett whilst at D. W. Griffith’s Biograph Company and embarked on a tumultuous affair with him; he later brought her across when he founded Keystone Studios in 1912. Her first films portrayed her as a bathing beauty, but Normand quickly demonstrated a flair for comedy and became a star of Sennett’s short films. Normand appeared with Charlie Chaplin and Roscoe Arbuckle in many short films.

She played a role in starting Chaplin’s film career. Chaplin had considerable initial difficulty adjusting to the demands of film acting and his performance suffered for it. After his first film appearance Making a Living, made by Sennet was filmed, Sennett felt he had made a costly mistake. Most historians agree it was Normand who persuaded him to give Chaplin another chance.

Mabel Taliaferro

Mabel “Nell” Taliaferro was an American stage, and a silent screen actress, known as the Sweetheart of American Movies. Taliaferro was descended on her father’s side from one of the early families who settled in Virginia in the 17th century, the Taliaferros, whose roots are in northern Italy.

Mac Davis

Morris Mac Davis, known as Mac Davis, is a country music singer and songwriter originally from Lubbock, Texas who has enjoyed much pop music crossover success. He became one of the most successful country singers of the 1970s and 1980s. He is also an actor.

Davis initially became famous as a songwriter and got his start as an employee of Nancy Sinatra’s company, Boots Enterprises, Inc. Davis was with Boots for several years in the late ’60s. During his time there, he played on many of Sinatra’s recordings and she put him in her stage shows. Boots Enterprises was also Davis’ publishing company, publishing songs such as “In the Ghetto”, “Friend, Lover, Woman, Wife”, “Home,” “It’s Such a Lonely Time of Year,” and “Memories”, which were recorded by Elvis Presley, Nancy Sinatra and others. Davis left Boots Enterprises, Inc. in 1970 to sign with Columbia Records, taking his songs with him.

He became known later also as a country singer. Especially during the 1970s, many of his songs scored successfully on the country and popular music charts, including “Baby, Don’t Get Hooked on Me”, “One Hell of a Woman”, and “Stop and Smell the Roses”. During the 1970s, he also was active as an actor, hosting his own variety show and also acting in several movies.

Davis graduated at sixteen from Lubbock High School in Lubbock, Texas. He spent his childhood years with his sister Linda, living and working at the former College Courts, an efficiency apartment complex owned by his father, T.J. Davis, located at the intersection of College Avenue and 5th Street. Davis describes his father, who was divorced from Davis’ mother, as “very religious, very strict, very stubborn.” Though Davis was physically small, he had a penchant for getting into fistfights. “In those days, it was all about football, rodeo and fistfights. Oh, man, I got beat up so much while I was growing up in Lubbock,” Davis said in a March 2, 2008, interview with the Lubbock Avalanche-Journal newspaper. “I was 5 feet, 9 inches, and weighed 125 pounds. I joined Golden Gloves but didn’t do good even in my division.” After he finished high school, Davis moved to Atlanta, Georgia, where his mother lived.

Louise Dresser

Louise Dresser was an American actress. Born Louise Josephine Kerlin in Evansville, Indiana, her first film was The Glory of Clementina, and her first starring role was in The City that Never Sleeps. She took her professional last name as a tribute to her good friend, songwriter Paul Dresser. Dresser, the elder brother of novelist Theodore Dreiser, was a popular songwriter of the turn of the 20th century. During the first presentations of the Academy Awards in 1929 she was nominated for the Academy Award for Best Actress for A Ship Comes In.

She portrayed Empress Elizabeth in Paramount Pictures's The Scarlet Empress. Dresser's last film was Maid of Salem. On television, she appeared in an episode spotlighting Buster Keaton on Ralph Edwards's program, This is Your Life. She had known Keaton since he was a small boy with his parents in vaudeville.

Louise Fazenda

Louise Fazenda was an American film actress, appearing chiefly in silent comedy films.

She was born in Lafayette, Indiana. Her father, Joseph Fazenda, was a merchandise broker. After moving west Louise attended Los Angeles High School and St. Mary’s Convent. Before trying motion pictures, she worked for a dentist, a candy store owner, and a tax collector.

Fazenda got her start in comedy shorts as early as 1913 with Joker Studios, frequently appearing with Max Asher and Bobby Vernon. She was soon recruited for Mack Sennett’s troupe at Keystone Studios.

As with many Keystone actors, Fazenda’s star soon grew larger than Sennett was willing to pay for, and she left Sennett in the early 1920s for better roles and more money. She took a break from making motion pictures in 1921-1922 in order to try vaudeville. Fazenda appeared in a variety of shorts and feature-length films throughout the decade. By the advent of sound pictures, Fazenda was a highly paid actress, making movies for nearly all of the big studios. Fazenda continued through the 1930s, appearing mostly in musicals and comedies. Her skill was in performing character roles. She played such diverse parts as a fussy old maid and a lady blacksmith. She was once accurately described as a plain-looking woman but a highly gifted character comedienne.