Mötley Crüe

Mötley Crüe is an American hard rock band formed in Los Angeles, California in 1981. The band was founded by bass guitarist Nikki Sixx and drummer Tommy Lee, who were later joined by lead guitarist Mick Mars and lead singer Vince Neil. Mötley Crüe has sold more than 80 million album copies worldwide, with 25 million in the U.S.

The band members have often been noted for their hard-living lifestyles, and the persona they maintained. All members have had numerous brushes with the law, spent time in jail, suffered from alcoholism, long addictions to drugs, had countless escapades with women, and are heavily tattooed. Their ninth studio album, Saints of Los Angeles, was released on June 24, 2008, while a film adaptation of their best-selling autobiography, The Dirt, is due to be released in 2011.

Mötley Crüe was formed on January 17, 1981 when bass guitarist Nikki Sixx left the band London and began rehearsing with drummer Tommy Lee and vocalist/guitarist Greg Leon. Lee had worked previously with Leon in a band called Suite 19 and the trio practiced together for some time with Leon eventually deciding not to continue. Nikki and Tommy then began a search for new members. Sixx and Lee soon met guitarist Bob “Mick Mars” Deal. Mars was quickly auditioned and subsequently hired by Sixx and Lee. Although a lead vocalist named O’Dean was auditioned, Lee had known Vince Neil from their high school days at Royal Oak High School in Covina, California and the two had performed in different bands on the garage band circuit. On seeing him perform with the band Rock Candy at the Starwood in Hollywood, California, Mars suggested they have Neil join the band. At first Neil refused the offer, but as the other members of Rock Candy became involved in outside projects, Neil grew anxious to try something else. When Lee made one final appeal to audition, Neil accepted and was hired. The newly formed band did not yet have a name. While trying to find a suitable name, Mars remembered an incident which occurred when he was playing with a band called White Horse, when one of the other band members called the group “a motley looking crew.” He had remembered the phrase and later copied it down as Mottley Cru-. After modifying the spelling slightly, “Mötley Crüe” was eventually selected as the band’s name, with the stylistic decision suggested by Neil to add the two sets of metal umlauts supposedly inspired by the German beer Löwenbräu, which the members were drinking at the time.

The band soon met their first manager, Allan Coffman, “the thirty-eight-year-old brother-in-law of Mick?s driver friend Stick”. The band’s first release was the single “Stick to Your Guns/Toast of the Town”, which was released on their own record label, Leathür Records, which had a pressing & distribution deal with Greenworld Distribution in Torrance, California. In November 1981, their debut album Too Fast for Love was self-produced and released on Leathür, selling 20,000 copies. Coffman’s assistant Eric Greif set up a tour of Canada, while Coffman and Greif used Mötley Crüe’s success in the Los Angeles club scene to negotiate with several record labels, eventually signing a recording contract with Elektra Records in late spring 1982. At Elektra’s insistence, the debut album was then re-mixed by producer Roy Thomas Baker and re-released on August 20, 1982, two months after its Canadian Warner Music Group release using the original Leathür mixes, to coincide with the tour.

Mabel Normand

Mabel Normand was an American silent film comedienne and actress. She was a popular star of Mack Sennett’s Keystone Studios and is noted as one of the film industry’s first female screenwriters, producers and directors. Onscreen she co-starred in commercially successful films with Charlie Chaplin and Roscoe Arbuckle, occasionally writing and directing movies featuring Chaplin. At the height of her career in the late 1910s and early 1920s, Normand had her own movie studio and production company.

Throughout the 1920s her name was linked with widely publicized scandals including the 1922 murder of William Desmond Taylor and the 1924 shooting of Courtland S. Dines, who was shot by Normand’s chauffeur with her pistol. She was not a suspect in either crime. Her film career declined, possibly due to both scandals and a recurrence of tuberculosis in 1923, which led to a decline in her health, retirement from films and her death in 1930.

Born Mabel Ethelreid Normand in New Brighton, Staten Island, New York, she grew up in extreme poverty. Her father, Claude Normand, was sporadically employed as a carpenter at Sailors’ Snug Harbor home for elderly seamen. Before she entered films at age 16 in 1909, Normand worked as an artist’s model, which included posing for postcards illustrated by Charles Dana Gibson, creator of the Gibson Girl image. She met director Mack Sennett whilst at D. W. Griffith’s Biograph Company and embarked on a tumultuous affair with him; he later brought her across when he founded Keystone Studios in 1912. Her first films portrayed her as a bathing beauty, but Normand quickly demonstrated a flair for comedy and became a star of Sennett’s short films. Normand appeared with Charlie Chaplin and Roscoe Arbuckle in many short films.

She played a role in starting Chaplin’s film career. Chaplin had considerable initial difficulty adjusting to the demands of film acting and his performance suffered for it. After his first film appearance Making a Living, made by Sennet was filmed, Sennett felt he had made a costly mistake. Most historians agree it was Normand who persuaded him to give Chaplin another chance.

Mabel Taliaferro

Mabel “Nell” Taliaferro was an American stage, and a silent screen actress, known as the Sweetheart of American Movies. Taliaferro was descended on her father’s side from one of the early families who settled in Virginia in the 17th century, the Taliaferros, whose roots are in northern Italy.

Mac Davis

Morris Mac Davis, known as Mac Davis, is a country music singer and songwriter originally from Lubbock, Texas who has enjoyed much pop music crossover success. He became one of the most successful country singers of the 1970s and 1980s. He is also an actor.

Davis initially became famous as a songwriter and got his start as an employee of Nancy Sinatra’s company, Boots Enterprises, Inc. Davis was with Boots for several years in the late ’60s. During his time there, he played on many of Sinatra’s recordings and she put him in her stage shows. Boots Enterprises was also Davis’ publishing company, publishing songs such as “In the Ghetto”, “Friend, Lover, Woman, Wife”, “Home,” “It’s Such a Lonely Time of Year,” and “Memories”, which were recorded by Elvis Presley, Nancy Sinatra and others. Davis left Boots Enterprises, Inc. in 1970 to sign with Columbia Records, taking his songs with him.

He became known later also as a country singer. Especially during the 1970s, many of his songs scored successfully on the country and popular music charts, including “Baby, Don’t Get Hooked on Me”, “One Hell of a Woman”, and “Stop and Smell the Roses”. During the 1970s, he also was active as an actor, hosting his own variety show and also acting in several movies.

Davis graduated at sixteen from Lubbock High School in Lubbock, Texas. He spent his childhood years with his sister Linda, living and working at the former College Courts, an efficiency apartment complex owned by his father, T.J. Davis, located at the intersection of College Avenue and 5th Street. Davis describes his father, who was divorced from Davis’ mother, as “very religious, very strict, very stubborn.” Though Davis was physically small, he had a penchant for getting into fistfights. “In those days, it was all about football, rodeo and fistfights. Oh, man, I got beat up so much while I was growing up in Lubbock,” Davis said in a March 2, 2008, interview with the Lubbock Avalanche-Journal newspaper. “I was 5 feet, 9 inches, and weighed 125 pounds. I joined Golden Gloves but didn’t do good even in my division.” After he finished high school, Davis moved to Atlanta, Georgia, where his mother lived.

Louis Lumière

Loie Fuller’s Serpentine Dance The Lumière brothers, Auguste Marie Louis Nicolas and Louis Jean, were among the earliest filmmakers in history. The Lumière brothers were born in Besançon, France, in 1862 and 1864, and moved to Lyon in 1870, where both attended La Martiniere, the largest technical school in Lyon. Their father, Claude-Antoine Lumière, ran a photographic firm and both brothers worked for him: Louis as a physicist and Auguste as a manager. Louis had made some improvements to the still-photograph process, the most notable being the dry-plate process, which was a major step towards moving images.

Louise Dresser

Louise Dresser was an American actress. Born Louise Josephine Kerlin in Evansville, Indiana, her first film was The Glory of Clementina, and her first starring role was in The City that Never Sleeps. She took her professional last name as a tribute to her good friend, songwriter Paul Dresser. Dresser, the elder brother of novelist Theodore Dreiser, was a popular songwriter of the turn of the 20th century. During the first presentations of the Academy Awards in 1929 she was nominated for the Academy Award for Best Actress for A Ship Comes In.

She portrayed Empress Elizabeth in Paramount Pictures's The Scarlet Empress. Dresser's last film was Maid of Salem. On television, she appeared in an episode spotlighting Buster Keaton on Ralph Edwards's program, This is Your Life. She had known Keaton since he was a small boy with his parents in vaudeville.

Louise Fazenda

Louise Fazenda was an American film actress, appearing chiefly in silent comedy films.

She was born in Lafayette, Indiana. Her father, Joseph Fazenda, was a merchandise broker. After moving west Louise attended Los Angeles High School and St. Mary’s Convent. Before trying motion pictures, she worked for a dentist, a candy store owner, and a tax collector.

Fazenda got her start in comedy shorts as early as 1913 with Joker Studios, frequently appearing with Max Asher and Bobby Vernon. She was soon recruited for Mack Sennett’s troupe at Keystone Studios.

As with many Keystone actors, Fazenda’s star soon grew larger than Sennett was willing to pay for, and she left Sennett in the early 1920s for better roles and more money. She took a break from making motion pictures in 1921-1922 in order to try vaudeville. Fazenda appeared in a variety of shorts and feature-length films throughout the decade. By the advent of sound pictures, Fazenda was a highly paid actress, making movies for nearly all of the big studios. Fazenda continued through the 1930s, appearing mostly in musicals and comedies. Her skill was in performing character roles. She played such diverse parts as a fussy old maid and a lady blacksmith. She was once accurately described as a plain-looking woman but a highly gifted character comedienne.

Louise Glaum

Louise Glaum was an American actress. Best-known for her role as a femme fatale in silent era motion picture dramas, she was credited with giving one of the best characterizations of a in her early career.

Glaum began her acting career on the stage in Los Angeles, her hometown, in 1907. After a few years, she went on the road with a touring company and performed as an ingenue in the play Why Girls Leave Home. She stayed on in Chicago, where she appeared in a number of productions. After returning to Los Angeles in 1911 because of the death of her younger sister, Glaum found acting work at a movie studio. She appeared in over 110 movies from 1912 to 1925, her debut being in When the Heart Calls.

After starring in Greater Than Love, she retired from the screen and moved to New York. In 1925, she sued for money owed her for movie work amounting to $103,000. The suit was ultimately dismissed by the court due to technicalities. Glaum made a final movie appearance in 1925. Under contract with Associated Exhibitors, she starred as the conniving other woman opposite Lionel Barrymore in a drama directed by Henri Diamant-Berger titled Fifty-Fifty.

For over three years, Glaum headlined on the vaudeville circuit in dramatic playlets. She presented a play in which she starred, Trial Marriage, in Los Angeles in 1928. Continuing to act on the stage, she opened and appeared in her own theatre in Los Angeles in the mid 1930s and became a drama instructor. Glaum was active in music clubs over the following decades. She served as president of the Matinee Musical Club for many years and was also state president of the California Federation of Music Clubs.

Lowell Thomas

Lowell Jackson Thomas was an American writer, broadcaster, and traveller best known as the man who made Lawrence of Arabia famous. So varied were Thomas’s activities that when it came time for the Library of Congress to catalog his memoirs they were forced to put them in “CT” in their classification.

Thomas was born in Woodington, Ohio, in Darke County, the son of Harry and Harriet Thomas. His father was a doctor and his mother a school teacher. In 1900, the family moved to the mining town of Victor, Colorado. There he worked as a gold miner, a cook, and a reporter on the newspaper.

In 1910, Thomas graduated from Victor High School, where one of his teachers was Mabel Barbee Lee. The following year, he graduated from Valparaiso University with bachelor’s degrees in education and science. The next year he received both a B.A. and an M.A. from the University of Denver and began work for the Chicago Journal, writing for it until 1914. While in Chicago, he was a professor at the Chicago-Kent College of Law, teaching oratory. He then went to New Jersey, where he studied for a master’s at Princeton University and again taught oratory at the university.

A relentless self-promoter, Thomas persuaded railroads to give him free passage in exchange for articles extolling rail travel. When he visited Alaska, he hit upon the novel idea of the travelogue, movies about faraway places. When the United States entered World War I, he was part of an official party sent by President Wilson, former president of Princeton, to “compile a history of the conflict.” In reality the mission was not academic. The war was not popular in the United States, and Thomas was sent to find material that would encourage the American people to support it. Thomas did not want to merely write about the war, he wanted to film it. He estimated that $75,000 would be needed for filming, which the U.S. government thought too expensive, and so he turned to a group of 18 Chicago meat packers.

Lucho Gatica

“King of Bolero,” Lucho Gatica was honored with the 2,354th star on the Hollywood Walk of Fame. Hollywood Chamber of Commerce President and CEO, Leron Gubler, presided over the ceremony. Guests included Maria Conchita Alonso, Johnny Mathis, and George Hamilton.

7021 Hollywood Boulevard on January 25, 2008.

BIOGRAPHY

Lucho Gatica was born in Rancagua, Chile in 1928. He attended school at Instituto O’Higgins. He and his brother Arturo were struggling singers before they released their first album, in 1949, when Gatica was twenty one years old.

Chileans generally experienced a change in music taste during the 1950s, when bolero music overtook tango as Chileans’ preferred music genre for some time. Singers like Cuba’s Olga Guillot, and Mexicans Leo Marini and Elvira Rios, among others, were very popular during that time there. So were Xavier Cugat and his orchestra, which included Puerto Rican Bobby Capo. These singers would influence Gatica.

Gatica’s first disc, 1951’s Me Importas Tu (You Matter to Me) became a mega hit across Latin America, opening many doors for Gatica. He followed that with 1952s Contigo en la Distancia (With You in the Distance).

Gatica recorded his version of Consuelo Velázquez’s Bésame Mucho (Kiss Me a Lot) in 1953, year in which he produced two more albums, Las Muchachas de la Plaza España (The Girls from the Spain Square) and Sinceridad (Sincerity).

By 1957, Gatica moved to Mexico, a country that would become of great importance in his life. In Mexico, he released No me Platiques Mas (Don’t Talk to me Anymore), Tu me Acostumbraste (You Accustomed Me) and Voy a Apagar la Luz (I’m Turning the Lights Off), which was released in 1959.

In 1956, Gatica’s songs were recorded in North America on LP albums for the first time by Capital Records (‘Capitol’ of the World series). Three albums were released within 14 months by Capitol. The third one in that group with Capitol was “El Gran Gatica,” which featured such songs as “Somos,” “Sabra Dios,” and “Si Me Comprendieras,” to name three. One of the three Lucho Gatica albums released in 1958 year were greatest hits compilations; the third was named Envenenados (Poisoned). He also recorded a song entitled “Encadenados” (Chained (we are)).

Gatica had important changes in his personal life after arriving in Mexico for the first time. He decided to become a permanent resident of that North American country, and married Puerto Rican actress Mapita Cortes, who had been a celebrity in Mexico (and Puerto Rico) for some years, and who also resided in Mexico. The couple had offspring, including two sons actually named Luis and Alfredo Gatica. Luis went on to become a telenovela and rock star during the 1980s and Alfredo (Alfie) became a music entrepreneur. Gatica remarried an American woman and had one daughter with her, as well. One of Gatica’s last known releases was 1963’s Recuerdos de Amor (Memories of Love).

It is estimated that Gatica has released more than 90 recordings. He has toured a vast portion of the world, having made concerts in Europe, the Middle East and Asia. His influence on world music is overwhelming; vocalists of many nationalities and languages felt Lucho’s impact and have, at one time or another, sung and recorded “boleros”, from Perry Como to Peggy Lee to Dionne Warwick to The Beatles; even Doris Day recorded a bolero album and Nat King Cole went further by recording in Spanish three albums which included many of Lucho’s greatest hits. Julio Iglesias has publicly confessed that Lucho remains his one single musical influence and calls him “The Master” while younger singers such as Mexico’s mega-star Luis Miguel have both enhanced their popular appeal and careers by recording cover versions of the songs Lucho made famous.